Animal Logic is expanding its animation production relationship with
Warner Bros. Pictures, and signed a three picture deal to set up a
second animation studio in Vancouver, Canada.
Cloth Cat completed 52 episodes of a new kid’s animated TV series
in just over a year, keeping to schedule by integrating ftrack project
tracking software into their 2D animation pipeline.
5D Global Studio has created real-time visualization for the Al-Baydha
sustainability project with USC’s World Building Institute and OptiTrack
motion capture, to be shown at FMX 2015..
Cinesite is joining forces with training company iAnimate on a new
animation apprenticeship combining online training with a two-year
contract as a trainee animator at Cinesite.
Brett Ineson and Bruno Sargeant at Animatrik talk about new directions
in motion capture and uses for motion data, illustrated by recent work
with MPC on the action film ‘American Sniper’.
Polygon Pictures in Tokyo manages the internal compute resources
and render farm for their animation production schedules using
Thinkbox Software’s Deadline.
2D animation software Toon Boom Harmony v12 is now compatible
with the Unity game engine, integrates 2D and 3D animation styles,
including lighting, and supports OpenFX plug-ins.
BUTCHER in LA created two title sequences for upcoming thriller, ‘The
Guilty Innocent’. Editor David Henegar handled the full project from
concepting and motion graphics to sound design.
The ‘Love Has No Labels’ PSA, now a viral YouTube video, employs
a new pipeline using wireless motion capture and puppeteering to
animate 3D characters with live motion data in real time.
iPi Motion Capture v3.0 supports the new Microsoft Kinect 2 sensor with
higher tracking speed and a simpler calibration process. Subscription
payment is now available, with various options.
Passion Pictures signed LA-based director Joshua Harvey. Specialising
in animation, he has co-led, designed and animated award-winning
films for clients including MTV, Honda and Telstra.
Xsens MVN motion capture systems are now easier to set up, able produce
data suited to production previs and animation. Pipeline integration is also
extended to more 3D applications.
Golaem Crowd 4.0 improves its animation system and controls over
the simulation, enabling users to create more sophisticated shots
through faster iteration and easier previsualisations.
Blur Studio took over the world of Skylanders for two :30 spots, creating
CG sequences that give the game’s young audience an entirely new way
to look at the characters and what they can do.
Animation and film production company Passion Pictures has opened
a new office in Melbourne to work with advertising clients in Australia
and New Zealand.
Mixamo and Adobe have added support for 3D animated characters
in the new release of Photoshop CC. Photoshop CC users can now import
animated 3D characters in COLLADA format.
Production company Sarofsky animated the story of mike's Hard
Lemonade in a world based entirely on 2D vector artwork, populated
by a crowd of characters brought to life with IK rigging.
Facial animation software company faceshift have hired Nico Scapel as
their new Creative Director in London. He has previously held animation
roles at Framestore and Dreamworks.
The iPi Motion Capture v3.0 markerless system is updated with distributed
recording support for more cameras and sensors, recording to several PCs
during a single motion capture session.
After working on virtual reality developments with Samsung and
Oculus, Reel FX animation studio has set up a specialised team to
handle a growing number of virtual reality projects