Avid Media Composer Takes On 4K, High Frame Rates & New Colour Spaces

Published on Monday, 19 January 2015

The new Avid Media Composer | Software is available now with resolution Avid-MC8-3 4KEdit
independent workflows for file-based editing of SD, HD and 4K media,
plus the new Avid DNxHR codec.

iTV Cable 16 Smartens Up Education Content on Facilis TerraBlock

Published on Monday, 05 January 2015

San Diego’s education office TV station iTV-16 employs a Facilis TerraBlock Facilis-terrablock-itv-16a
24D as a media hub connected via 10 GB Ethernet to six editorial suites
running post and editing software.

Modern VideoFilm Takes On Colour for ‘Madam Secretary’

Published on Wednesday, 03 December 2014

Adding to its role of handling conform and final deliverables for the Modern-video-film-madame-secretary5
new series ‘Madam Secretary’, Modern VideoFilm’s colourist Todd
Bochner has taken on the grade for the show.

CatDV Asset Management Spans Editorial Workflows & Formats

Published on Monday, 12 May 2014

Square Box Systems’ CatDV now supports content creation across many Catdv-beyond-pix3
industries with tools for searching, metadata and review, and integrating
into editorial workflows from ingest to archive.

Arrow Media Moves Proxy Dailies Fast via Aframe’s Cloud

Published on Saturday, 25 October 2014

Arrow Media used the Aframe Proxy First workflow to help manage dailies Aframe-UltimateAirportDubai4
for National Geographics’ series ‘Ultimate Airport Dubai’, speeding up
logging, ingest and assembly.

Nashville’s FORWARD LLC Tunes Up with Quantel Pablo Rios

Published on Thursday, 08 May 2014

Post facility FORWARD LLC in Nashville has acquired two new Quantel Quantel-forward
Pablo Rio colour and finishing systems for music videos, commercial
and broadcast work.

Avid Interplay | MAM Automates Media Management & Protection

Published on Wednesday, 08 October 2014

Interplay | MAM Foundation addresses common access, operations and Avid-MAM-essence
asset protection needs in media organizations, and helps automate
non-creative tasks.

Embassy Enlists cineSync & Frankie for TVC Review

Published on Monday, 05 May 2014

To complete a recent TV campaign on time, South African studio Embassy Cinesync-frankie-embassy
ran remote approval sessions on cineSync and Frankie review software between
Johannesburg and Cape Town.

Avid Moves High-Res Ingest, Transcodes and Editorial into the Cloud

Published on Tuesday, 16 September 2014

At IBC, Avid showed new developments in MediaCentral, including Resolution Avid-media-composer
Independence, allowing users to work with 4K and other high-res formats
using the new Avid DNxHR codec.

NUKE STUDIO Packs Up VFX, Editorial and Finishing

Published on Thursday, 10 April 2014

NAB The Foundry’s NUKE STUDIO incorporates tools for VFX, editorial and
finishing into one application for independent artists as well as teams working
on fast turnaround projects.

Troublemaker Studios & Avid Stay Out of Trouble on Sin City

Published on Thursday, 28 August 2014

Troublemaker Studios used Avid Everywhere on the new 3D movie ‘Sin Avid-sin-city-2
City: A Dame To Kill For’, basing the workflow on the MediaCentral Platform
and Avid’s sound and editing software.

Red Giant Redesigns Looks, Audio & Motion Graphics for Video

Published on Monday, 31 March 2014

NAB Red Giant is rebuilding Magic Bullet Looks treatments for video, Red-giant-MBL_color-UI
PluralEyes automated audio/video analysis and sync tool, and Trapcode
Mir motion graphics plug-in for After Effects.

Avid Media Composer 8.1 Speeds Up Timeline Tools

Published on Thursday, 31 July 2014

Avid Media Composer | Software is now updated to version 8.1 with Avid-InterplayCentral
new tools and improvements to the timeline to speed up editing and
working with variations and audio.

Blackmagic MultiDock Accelerates Transfers with Thunderbolt 2

Published on Monday, 24 March 2014

The Blackmagic Design MultiDock docking device now has Thunderbolt 2 Blackmagic-multidock
connectivity for high enough transfer speeds to support  editing and colour
correction directly from source disks.

Creative Post Explores the Arctic in IMAX 3D with Mistika

Published on Thursday, 12 June 2014

The team at Creative Post developed the finishing workflow for IMAX SGO-mistika-arctic
documentary ‘Wonders of the Arctic 3D’, using a Mistika system for online,
colour correction and titling.

Baselight Looks ‘Under the Skin’ for Dirty Looks & One of Us

Published on Sunday, 16 March 2014

Dirty Looks Baselight colour grading studio in London handled the finish of Filmlight-jackie-chan2
the film ‘Under the Skin’, working alongside their partner at the same location,
One of Us, who completed VFX.

EDIUS 7.3 Gains Matrox I/O, Sony & Panasonic Support

Published on Wednesday, 04 June 2014

Grass Valley EDIUS v7.3 Pro and Elite now incorporates several updates Grass-valley-EDIUS_Pro_7_3
for editors in I/O, data exchange and audio, and has new capabilities for
working with Sony and Panasonic cameras.

FilmLight Integrates with Codex, Dolby, The Foundry & Sony

Published on Wednesday, 12 March 2014

At NAB 2014 FilmLight will be focusing on colour management as part of FilmLight-Baselight-Prism-Pixels
collaborative workflows, on set or in post, with four partners – Codex, Dolby,
The Foundry and Sony.