Arab Telemedia Adopts FilmLight Colour Control Pipeline

Published on Sunday, 29 November 2015

Arab Telemedia installed systems and software integrating FilmLight FilmLight-Baselight-Arab-Telemedia
FLIP, Daylight, Baselight for Avid and Baselight TWO, upgrading colour
management within their production workflows.

FotoKem Takes on ‘Ash vs Evil Dead’ with DaVinci Resolve

Published on Monday, 23 November 2015

Colourist Alastor Arnold at FotoKem led the grade and online edit of Blackmagic-Fotokem-evil-dead2
the pilot for new TV series ‘Ash vs Evil Dead’. He kept the entire
workflow, from DI to finishing, in DaVinci Resolve.

Beast Editor Dean Gonzalez Cuts Green Day’s ‘Heart Like a Hand Grenade’

Published on Thursday, 05 November 2015

The new doco of the making of Green Day’s album ‘American Idiot’, Beast-greenday-photo-marina-chavez2areleased
in October, was shot with a single handheld three-chip camera and took
editor Dean Gonzalez a full year to cut.

Grass Valley EDIUS 8 to Support Canon XF-AVC & Faster Transcodes

Published on Thursday, 21 May 2015

Grass Valley EDIUS 8 editing platform for production and broadcast, GV-EDIUS 8 Screen EN
will gain a new UI, Canon XF-AVC support, a new workflow clip
management tool and accelerated 4K H.264 playback.

Boris FX BCC 10 for Avid Integrates mocha Tracking and 3D Titles

Published on Thursday, 05 November 2015

New Boris FX BCC 10 plug-ins integrate mocha tracking and masking, Boris-10-with-Mocha-in-Avid
new 3D titling, and skin retouching software into the Avid timeline,
accessible without exports or changing application.

Wim Wenders’ ‘Every Thing Will Be Fine’ Finished with DaVinci Resolve

Published on Friday, 08 May 2015

The recent project from director Wim Wenders, ‘Every Thing Will Blackmagic-resolve-Wenders5
Be Fine’, has been graded on DaVinci Resolve at Arri Mitte, part of
Arri Film & TV Services in Berlin, by colourist Philipp Orgassa.

Nomad Scales Up Asset Archive and Retrieval with CatDV

Published on Wednesday, 04 November 2015

Nomad Editing uses CatDV with Akomi to control a massive archive CatDV-Nomad-editing5a
of advertising assets, and now runs an efficient, collaborative MAM
service for their projects across all locations.

Blackmagic Design Resolve 12 Builds Up Editing, Compositing & Audio

Published on Thursday, 16 April 2015

NAB The new version 12 of Blackmagic Design’s DaVinci Resolve grading Blackmagic-DavinciResolve12EditPage
software has new editing and audio capabilities, and a new 3D tracker
and 3D keyer that increase grading precision.

Octopus 8 Newsroom Brings New Web and Social Connectivity

Published on Friday, 28 August 2015

Octopus 8 is updated to change the way news teams connect with Octopus mobile-apps
social media and online news channels, enabling them to collaborate
and publish stories quckly on multiple platforms.

SCRATCH 8.3 Joins SCRATCH Lab for Dailies & Post Cloud Workflows

Published on Wednesday, 08 April 2015

ASSIMILATE SCRATCH 8.3 now integrates the complete SCRATCH DI SCRATCH-capture
workflow and SCRATCH Lab for on-set and VFX dailies into one set of
robust, cloud-based digital cinema tools.

Filthy Look Films Cleans Up its Look with Red Giant Colorista

Published on Sunday, 19 July 2015

DP and colourist Mick Jones at Filthy Look uses Colourista in Premiere Pro Filthy-Look-Apparel-BTS
to establish looks in pre-production, and develop an original style for each
project and for the company itself.

Marquis & Pronology Integrate on Avid Media Export and Transfer

Published on Tuesday, 17 March 2015

Marquis Broadcast and Pronology have integrated to control media Marquis-PronologyImage
transfers and conversions between Avid environments, retaining
metadata and monitored in Pronology’s MAM.

Fifty Fifty’s FilmLight Workflows Finish Gary Lineker Doco for BBC

Published on Monday, 13 July 2015

Fifty Fifty post house in London has set up a close, renderless integration Fifty-fifty-Baselight-lineker
between their Baselight PLUS grading suite and Baselight for Avid in
the editing suite, saving time.

AP ENPS Mobile Delivers News Direct from Field to Newsroom

Published on Wednesday, 11 March 2015

Because news doesn’t happen in the newsroom, AP ENPS Mobile users AP-ENPSAnywhere3
can now access all AP ENPS newsroom software functions from mobile
devices - smartphones, tablets and laptops.

Mistika Air Refines Broadcast Post Workflows

Published on Wednesday, 01 July 2015

SMPTE SGO will demonstrate tools in the Mistika finishing system for SGO-Mistika-Precision-Panel
grading, editing and compositing in post production workflows, focusing
on Mistika Air for broadcast.

Avid & Adobe Integration Supports Premiere Pro CC on ISIS Shared Storage

Published on Wednesday, 11 March 2015

Adobe Premiere Pro CC and Media Composer can now share Avid Avid-ISIS7500
DNxHD or Avid DNxHR media and other open file types on the same
ISIS storage infrastructure.

Snell Turnkey Systems Power Alchemist OD Format/Framerate Conversions

Published on Tuesday, 16 June 2015

Snell is now integrating their Alchemist OD format and framerate Snell-Alchemist-OD-turnkey1
converter into configured, high-performance turnkey systems,
built for either professional or enterprise applications.

SCRATCH Web Supports Cloud-based Clip, Timeline & Version Sharing

Published on Wednesday, 04 March 2015

ASSIMILATE SCRATCH Web is a new cloud-based collaboration and Assimilate-scratch-web
review tool made to share clips, versions and timelines, without restrictions
on format, resolution, time or location.