Octopus 8 Newsroom Brings New Web and Social Connectivity

Published on Friday, 28 August 2015

Octopus 8 is updated to change the way news teams connect with Octopus mobile-apps
social media and online news channels, enabling them to collaborate
and publish stories quckly on multiple platforms.

Filthy Look Films Cleans Up its Look with Red Giant Colorista

Published on Sunday, 19 July 2015

DP and colourist Mick Jones at Filthy Look uses Colourista in Premiere Pro Filthy-Look-Apparel-BTS
to establish looks in pre-production, and develop an original style for each
project and for the company itself.

Fifty Fifty’s FilmLight Workflows Finish Gary Lineker Doco for BBC

Published on Monday, 13 July 2015

Fifty Fifty post house in London has set up a close, renderless integration Fifty-fifty-Baselight-lineker
between their Baselight PLUS grading suite and Baselight for Avid in
the editing suite, saving time.

AP ENPS Mobile Delivers News Direct from Field to Newsroom

Published on Wednesday, 11 March 2015

Because news doesn’t happen in the newsroom, AP ENPS Mobile users AP-ENPSAnywhere3
can now access all AP ENPS newsroom software functions from mobile
devices - smartphones, tablets and laptops.

Mistika Air Refines Broadcast Post Workflows

Published on Wednesday, 01 July 2015

SMPTE SGO will demonstrate tools in the Mistika finishing system for SGO-Mistika-Precision-Panel
grading, editing and compositing in post production workflows, focusing
on Mistika Air for broadcast.

Avid & Adobe Integration Supports Premiere Pro CC on ISIS Shared Storage

Published on Wednesday, 11 March 2015

Adobe Premiere Pro CC and Media Composer can now share Avid Avid-ISIS7500
DNxHD or Avid DNxHR media and other open file types on the same
ISIS storage infrastructure.

Snell Turnkey Systems Power Alchemist OD Format/Framerate Conversions

Published on Tuesday, 16 June 2015

Snell is now integrating their Alchemist OD format and framerate Snell-Alchemist-OD-turnkey1
converter into configured, high-performance turnkey systems,
built for either professional or enterprise applications.

SCRATCH Web Supports Cloud-based Clip, Timeline & Version Sharing

Published on Wednesday, 04 March 2015

ASSIMILATE SCRATCH Web is a new cloud-based collaboration and Assimilate-scratch-web
review tool made to share clips, versions and timelines, without restrictions
on format, resolution, time or location.

Grass Valley EDIUS 8 to Support Canon XF-AVC & Faster Transcodes

Published on Thursday, 21 May 2015

Grass Valley EDIUS 8 editing platform for production and broadcast, GV-EDIUS 8 Screen EN
will gain a new UI, Canon XF-AVC support, a new workflow clip
management tool and accelerated 4K H.264 playback.

Nexidia Supports Avid Interplay Production with Dialogue Search

Published on Tuesday, 24 February 2015

Dialogue Search v1.8 from Nexidia, a developer of dialogue and audio Nexidia-Dialogue-Search2
analysis systems, is a phonetic-based search tool that now includes
integration with Avid Interplay Production.

Wim Wenders’ ‘Every Thing Will Be Fine’ Finished with DaVinci Resolve

Published on Friday, 08 May 2015

The recent project from director Wim Wenders, ‘Every Thing Will Blackmagic-resolve-Wenders5
Be Fine’, has been graded on DaVinci Resolve at Arri Mitte, part of
Arri Film & TV Services in Berlin, by colourist Philipp Orgassa.

DaVinci Resolve 11.2 Updates CinemaDNG RAW Transforms

Published on Saturday, 07 February 2015

The DaVinci Resolve 11.2 update improves CinemaDNG RAW image Davinciresolve-11 2
processing a with new soft clip option, better round trip workflows with
Avid Media Composer 8.3, and DNxHR support.

Blackmagic Design Resolve 12 Builds Up Editing, Compositing & Audio

Published on Thursday, 16 April 2015

NAB The new version 12 of Blackmagic Design’s DaVinci Resolve grading Blackmagic-DavinciResolve12EditPage
software has new editing and audio capabilities, and a new 3D tracker
and 3D keyer that increase grading precision.

Filmlance Crosses ‘The Bridge’ with Quantel

Published on Wednesday, 04 February 2015

Filmlance in Stockholm completed the conform, online and colour Quantel-The-Bridge5
grading of BAFTA-nominated crime drama ‘Bron/Broen’ on their
Quantel Pablo colour and finishing system.

SCRATCH 8.3 Joins SCRATCH Lab for Dailies & Post Cloud Workflows

Published on Wednesday, 08 April 2015

ASSIMILATE SCRATCH 8.3 now integrates the complete SCRATCH DI SCRATCH-capture
workflow and SCRATCH Lab for on-set and VFX dailies into one set of
robust, cloud-based digital cinema tools.

Avid Media Composer Takes On 4K, High Frame Rates & New Colour Spaces

Published on Monday, 19 January 2015

The new Avid Media Composer | Software is available now with resolution Avid-MC8-3 4KEdit
independent workflows for file-based editing of SD, HD and 4K media,
plus the new Avid DNxHR codec.

Marquis & Pronology Integrate on Avid Media Export and Transfer

Published on Tuesday, 17 March 2015

Marquis Broadcast and Pronology have integrated to control media Marquis-PronologyImage
transfers and conversions between Avid environments, retaining
metadata and monitored in Pronology’s MAM.

iTV Cable 16 Smartens Up Education Content on Facilis TerraBlock

Published on Monday, 05 January 2015

San Diego’s education office TV station iTV-16 employs a Facilis TerraBlock Facilis-terrablock-itv-16a
24D as a media hub connected via 10 GB Ethernet to six editorial suites
running post and editing software.