Avid Moves High-Res Ingest, Transcodes and Editorial into the Cloud

Published on Tuesday, 16 September 2014

At IBC, Avid showed new developments in MediaCentral, including Resolution Avid-media-composer
Independence, allowing users to work with 4K and other high-res formats
using the new Avid DNxHR codec.

Troublemaker Studios & Avid Stay Out of Trouble on Sin City

Published on Thursday, 28 August 2014

Troublemaker Studios used Avid Everywhere on the new 3D movie ‘Sin Avid-sin-city-2
City: A Dame To Kill For’, basing the workflow on the MediaCentral Platform
and Avid’s sound and editing software.

Avid Media Composer 8.1 Speeds Up Timeline Tools

Published on Thursday, 31 July 2014

Avid Media Composer | Software is now updated to version 8.1 with Avid-InterplayCentral
new tools and improvements to the timeline to speed up editing and
working with variations and audio.

Blackmagic MultiDock Accelerates Transfers with Thunderbolt 2

Published on Monday, 24 March 2014

The Blackmagic Design MultiDock docking device now has Thunderbolt 2 Blackmagic-multidock
connectivity for high enough transfer speeds to support  editing and colour
correction directly from source disks.

Creative Post Explores the Arctic in IMAX 3D with Mistika

Published on Thursday, 12 June 2014

The team at Creative Post developed the finishing workflow for IMAX SGO-mistika-arctic
documentary ‘Wonders of the Arctic 3D’, using a Mistika system for online,
colour correction and titling.

Baselight Looks ‘Under the Skin’ for Dirty Looks & One of Us

Published on Sunday, 16 March 2014

Dirty Looks Baselight colour grading studio in London handled the finish of Filmlight-jackie-chan2
the film ‘Under the Skin’, working alongside their partner at the same location,
One of Us, who completed VFX.

EDIUS 7.3 Gains Matrox I/O, Sony & Panasonic Support

Published on Wednesday, 04 June 2014

Grass Valley EDIUS v7.3 Pro and Elite now incorporates several updates Grass-valley-EDIUS_Pro_7_3
for editors in I/O, data exchange and audio, and has new capabilities for
working with Sony and Panasonic cameras.

FilmLight Integrates with Codex, Dolby, The Foundry & Sony

Published on Wednesday, 12 March 2014

At NAB 2014 FilmLight will be focusing on colour management as part of FilmLight-Baselight-Prism-Pixels
collaborative workflows, on set or in post, with four partners – Codex, Dolby,
The Foundry and Sony.

CatDV Asset Management Spans Editorial Workflows & Formats

Published on Monday, 12 May 2014

Square Box Systems’ CatDV now supports content creation across many Catdv-beyond-pix3
industries with tools for searching, metadata and review, and integrating
into editorial workflows from ingest to archive.

Diamond Bros. Run with FILA Doco Series on EditShare

Published on Wednesday, 05 March 2014

The Diamond Bros. produced a documentary series for FILA sports shoes, EditShare-Diamond-Bros
travelling between 10 cities with RED EPIC cameras and completing the edit
with EditShare Field 2 shared storage.

Nashville’s FORWARD LLC Tunes Up with Quantel Pablo Rios

Published on Thursday, 08 May 2014

Post facility FORWARD LLC in Nashville has acquired two new Quantel Quantel-forward
Pablo Rio colour and finishing systems for music videos, commercial
and broadcast work.

Compass Music Video Points to DaVinci Resolve 10’s Brilliant Grade

Published on Thursday, 27 February 2014

Lady Antebellum’s ‘Compass’ music video combines stills, multiple video formats Blackmagic-resolve-antebellum2
and even stop motion light writing. Colourist Gavin Fisher used DaVinci Resolve
10 to achieve a vibrant grade.

Embassy Enlists cineSync & Frankie for TVC Review

Published on Monday, 05 May 2014

To complete a recent TV campaign on time, South African studio Embassy Cinesync-frankie-embassy
ran remote approval sessions on cineSync and Frankie review software between
Johannesburg and Cape Town.

Italy’s Start S.r.l. Makes a New Start on Quantel Pablo Rio

Published on Wednesday, 26 February 2014

Production company Start S.r.l. is adding the Quantel Pablo Rio 2KO colour and Quantel-start-srl
finishing system to its HD and 2K post workflow for television and corporate
advertising.

NUKE STUDIO Packs Up VFX, Editorial and Finishing

Published on Thursday, 10 April 2014

NAB The Foundry’s NUKE STUDIO incorporates tools for VFX, editorial and
finishing into one application for independent artists as well as teams working
on fast turnaround projects.

Blue Post Moves into the Post Production Future

Published on Wednesday, 19 February 2014

Producer and post supervisor Peter Millington talks about his post workflow Blue-post-digital
company Blue Post, and the recent and upcoming changes he sees in
broadcast and film production.

Red Giant Redesigns Looks, Audio & Motion Graphics for Video

Published on Monday, 31 March 2014

NAB Red Giant is rebuilding Magic Bullet Looks treatments for video, Red-giant-MBL_color-UI
PluralEyes automated audio/video analysis and sync tool, and Trapcode
Mir motion graphics plug-in for After Effects.

Lightworks v11.5 Crosses Platforms and Updates Multi-Cam Edits

Published on Sunday, 02 February 2014

EditShare Lightworks 11.5 non-linear editing software now works Lightworks-11_5-monitor
across both Linux and Windows, and recognises AJA ioXT or Kona
cards on Windows.