The Diamond Bros. produced a documentary series for FILA sports shoes,
travelling between 10 cities with RED EPIC cameras and completing the edit
with EditShare Field 2 shared storage.
Lady Antebellum’s ‘Compass’ music video combines stills, multiple video formats
and even stop motion light writing. Colourist Gavin Fisher used DaVinci Resolve
10 to achieve a vibrant grade.
Production company Start S.r.l. is adding the Quantel Pablo Rio 2KO colour and
finishing system to its HD and 2K post workflow for television and corporate
NewBlueFX Video Essentials VII collection of plug-ins contains over 100 presets
in 10 dynamic effects. The software integrates into most NLE applications.
Producer and post supervisor Peter Millington talks about his post workflow
company Blue Post, and the recent and upcoming changes he sees in
broadcast and film production.
Colourist Alexis Van Hurkman’s e-book for learning Autodesk Smoke, is based
on his own short film now in the final stages of post, in which the whole team
is using a Smoke-based workflow.
EditShare Lightworks 11.5 non-linear editing software now works
across both Linux and Windows, and recognises AJA ioXT or Kona
cards on Windows.
The Hollywood Post Alliance will be presenting their 2013 Charles S Swartz
Award to Avid for Outstanding Contribution in the Field of Post Production.
Imagineer and CoreMelt have developed the TrackX plug-in for FCP X
editors, powered by mocha to precisely track camera motion, objects
and people for VFX and screen composites.
Japanese fashion post facility, INFAS.com, has bought a Quantel Pablo Rio 4K
and 2K to support growing demand for 4K production and help move into 8K
Blackmagic Design DaVinci Resolve 10.1 software is updated with faster,
more complete editing and 3D stereoscopic tools, plus support for Final
Cut Pro X 10.1.
Colourist Genta Tamaki in Japan helped with post on a new, award-
winning film ‘Tomogui’, to emphasise the DP’s use of filters on set,
editing in FCP X and grading with DaVinci Resolve.
LipSync Post handled full post production and deliverables for BBC
One’s series ‘Death Comes To Pemberley’, completing the colour
grade, online editing, sound, visual effects and titles.
National Geographic’s Serengeti Lion website augments the magazine’s
recent special feature with photography, audio and video as an
experiential way to study lions.
Sony Pictures Entertainment completed a detailed 4K restoration of
Frank Capra's 1934 comedy ‘It Happened One Night’ for its re-release
on Sony's new 4K download service.
SIM Digital post-production designed and built a complete, file-based
workflow from camera to final delivery for a new Canadian multi-camera
TV series, ‘Spun Out’.
When DDB’s team found the workflow between applications for
editing, FX and colour too complex for frequent changes, they
took on Autodesk Smoke to gain speed and new skills.
DP Matthew Scott is a former editor who switched career to
cinematography. He now uses Grass Valley’s Edius to cut and
colour grade his own RED Scarlett footage.