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QTAKE HD’s New Modules Bring Video Assist Up to Date
QTAKE HD Video Assist software now has five new modules adding 
virtual camera and multi-camera editing and playback functions, and
comes in a lower-cost QTAKE LITE bundle.
Red Giant & Dell Put Thrills Into ‘Spy vs Guy’
Director Seth Worley and producer Aharon Rabinowitz made ‘Spy vs 
Guy’ with the help of Red Giant BulletProof offload, prep and delivery
software and Dell workstations.
Red Echo Post Expands into Colour with FilmLight’s Baselight
Editorial facility Red Echo Post, working in commercials and film in 
Cincinnati, has purchased the FilmLight Baselight ONE colour grading
system to extend its in-house services.
Autodesk Smoke 2013 Seminar Updates Editing Workflows
At this Autodesk Smoke 2013 seminar, editors can learn how to update their 
workflows with effects and finishing tools without round tripping between
applications.
Avid Media Composer 7 Speeds HD Delivery with LUT Support
NAB Media Composer 7 allows editors to work directly in HD 
from high-resolution sources, while keeping creative control
over image framing.
AJA Ki Pro Mini Goes Off-Road for 'Mission: Afghanistan'
EBH Polska post house recently helped complete ‘Mission: Afghanistan’, an 
action series shot in extreme conditions for CANAL+, recording Sony F3
footage on two AJA Ki Pro Minis.
Mexico's Virtual Uni Deploys Dalet Media Life
NAB Dalet Media Life is now the core production, MAM and 
integrated distribution system for Tecnologico de Monterrey
Virtual University in Mexico.
Matrox Mac Driver Extends I/O & H.264 Encoding to Major NLEs
The new Matrox unified Mac driver now supports Adobe, Apple and Avid editing 
applications, for Matrox MXO2 I/O and H.264 encoding devices, and the Mojito
MAX I/O card.
American Zoetrope & SPY Develop ProRes Resolve Workflow
Roman Coppola’s new film ‘A Glimpse Inside the Mind of Charles Swan III’ 
was a chance to develop an calibrated ProRes grading workflow between
American Zoetrope and SPY.
NewBlue Video Plugins Enhance Image Control for Editors
NewBlue Video Essentials VI for editors has over 100 presets in 10 different 
effects plugins. All of these integrate directly into major NLE applications.
My Little Eye Makes Hardware & Software Switch on Abbey Road
The editing team at My Little Eye in the UK changed from Mac to
HP and NVIDIA hardware, and from Final Cut Pro to Premiere Pro
while cutting the ‘Abbey Road Studios’ TV series.
Autodesk Smoke 2013 Ships for Video Editing and Effects
After an active trial and development period through 2012, Autodesk Smoke 
2013 is shipping, with top-level video editing and FX tools within a unified
timeline-based workflow.
FlyingS3D Fires Up Le Crazy Horse with Quantel Pablo
FlyingS3D, a dedicated stereo 3D post production facility, completed 
editing, CGI, stereo correction, colour grade and finishing on a 3D
project for Le Crazy Horse cabaret.
eyeon Connection 1.5 Connects with Avid DS Editors
eyeon Connection version 1.5 has shipped, linking the AVID editing and VFX 
workflow with Fusion’s tools via the AVID AVX2 architecture.
FilmLight and GrundyUFA FLIP for On-Set Preview
German producer GrundyUFA and FilmLight have been working on 
on-set colour management to help maintain the decisions made on
set through to finishing.
Autodesk Webinar Works with Smoke 2013 FBX Exchange
Autodesk hosts new webinar with Rob O’Neill and a guest presenter from post 
studio Concrete Wednesday, finishing a TVC project in Smoke 2013.
Divergent Media ScopeBox 3.2 Updates LUT Formats & Vectorscope
Divergent Media ScopeBox version 3.2 improves on LUT format support, 
has a hands-free application startup and new vectorscope overlay to suit
colourists and camera operators.
Thinkbox Cinelab Edits Video on Windows 8 Devices
Thinkbox Software’s Cinelab is a new video app with simple video editing 
functions
for Windows 8 tablets, mobile devices and desktop computers.
