Octopus 8 is updated to change the way news teams connect with
social media and online news channels, enabling them to collaborate
and publish stories quckly on multiple platforms.
DP and colourist Mick Jones at Filthy Look uses Colourista in Premiere Pro
to establish looks in pre-production, and develop an original style for each
project and for the company itself.
Fifty Fifty post house in London has set up a close, renderless integration
between their Baselight PLUS grading suite and Baselight for Avid in
the editing suite, saving time.
Because news doesn’t happen in the newsroom, AP ENPS Mobile users
can now access all AP ENPS newsroom software functions from mobile
devices - smartphones, tablets and laptops.
SMPTE SGO will demonstrate tools in the Mistika finishing system for
grading, editing and compositing in post production workflows, focusing
on Mistika Air for broadcast.
Adobe Premiere Pro CC and Media Composer can now share Avid
DNxHD or Avid DNxHR media and other open file types on the same
ISIS storage infrastructure.
Snell is now integrating their Alchemist OD format and framerate
converter into configured, high-performance turnkey systems,
built for either professional or enterprise applications.
ASSIMILATE SCRATCH Web is a new cloud-based collaboration and
review tool made to share clips, versions and timelines, without restrictions
on format, resolution, time or location.
Grass Valley EDIUS 8 editing platform for production and broadcast,
will gain a new UI, Canon XF-AVC support, a new workflow clip
management tool and accelerated 4K H.264 playback.
Dialogue Search v1.8 from Nexidia, a developer of dialogue and audio
analysis systems, is a phonetic-based search tool that now includes
integration with Avid Interplay Production.
The recent project from director Wim Wenders, ‘Every Thing Will
Be Fine’, has been graded on DaVinci Resolve at Arri Mitte, part of
Arri Film & TV Services in Berlin, by colourist Philipp Orgassa.
The DaVinci Resolve 11.2 update improves CinemaDNG RAW image
processing a with new soft clip option, better round trip workflows with
Avid Media Composer 8.3, and DNxHR support.
NAB The new version 12 of Blackmagic Design’s DaVinci Resolve grading
software has new editing and audio capabilities, and a new 3D tracker
and 3D keyer that increase grading precision.
Filmlance in Stockholm completed the conform, online and colour
grading of BAFTA-nominated crime drama ‘Bron/Broen’ on their
Quantel Pablo colour and finishing system.
ASSIMILATE SCRATCH 8.3 now integrates the complete SCRATCH DI
workflow and SCRATCH Lab for on-set and VFX dailies into one set of
robust, cloud-based digital cinema tools.
The new Avid Media Composer | Software is available now with resolution
independent workflows for file-based editing of SD, HD and 4K media,
plus the new Avid DNxHR codec.
Marquis Broadcast and Pronology have integrated to control media
transfers and conversions between Avid environments, retaining
metadata and monitored in Pronology’s MAM.
San Diego’s education office TV station iTV-16 employs a Facilis TerraBlock
24D as a media hub connected via 10 GB Ethernet to six editorial suites
running post and editing software.