BlueScreen LLC specializes in live, on-set blue/green screen compositing
and multi-cam shoots for game and film studios in a workflow using AJA
Ki Pro Rack for recording and playback
At the 2014 Calgary Stampede, Clear-Com’s HelixNet digital partyline
and Tempest 2400 wireless intercom system will together supply robust
comms for rodeo organisers across a huge venue.
AMD FirePro W9100 workstation graphics cards are designed for the graphics,
compute power and high resolution multi-display capabilities required for 4K
workstations used in video, design and engineering.
Nova Entertainment uses Matrox Avio F125 fibre-optic KVM extenders within
a remote audio workflow to extend uncompressed desktops to separate
studios without latency or interruption.
Blackmagic’s Cintel film scanner updates film scanning with a wall-mount
design with Thunderbolt 2 for real-time scanning of 35mm and 16mm film
up to 30fps in Ultra HD.
NAB Digital Vision in Sweden has launched the Golden Eye 4 film scanner for
restoration and archive and showed their new Bifrost Archive Bridge software
Diablo Digital is using Sonnet hardware with Avid tools and the Apple Mac
mini to create powerful, scalable, affordable rackmount systems for on-
location audio recording workflows.
NAB Following Digital Vision’s new OEM integrations, Marquise will integrate DVO
image tools into M I S T mastering systems and SGO Mistika will support the
Precision control surface.
EIZO has developed a cloud-based system that centralizes colour management
of all ColorEdge monitors, and launched two new EIZO ColorEdge 24.1-inch
The new NVIDIA Iray VCA GPU rendering appliance aims to accelerate ray
tracing, enabling user interaction with computer models of a high enough
quality to replace physical prototyping.
Fairchild Semiconductor has acquired Xsens, 3D motion tracking developer,
opening access to sensor fusion systems for interaction between physical
and digital entities and environments.
Adobe has released a white paper on hardware optimization for editors, colourists
and graphic and effects artists using Creative Cloud, with tips on tuning and building
up a computer system.
The production of ‘Atlas Shrugged’ developed a 4K workflow from capture
through projection achieving high production values on a budget with the
Canon C500 and AJA Ki Pro Quad.
In Sydney recently, AJA’s Jac Kee demonstrated AJA hardware in lens-to-post
workflows. Highlighting workflows for DITs, he included one recording an
event at a Hong Kong Fight Club.
Spectrum Films editorial and post facility will use the Dolby PRM4220
monitor for their new DI colour grading suite, based on the real-time 4K
Mistika finishing system.
AdPro uses Teranex 2D Processors for fast international standards conversions
for movie trailers, and Banger Films uses the Teranex to convert decades of
formats for a new rock documentary.
SGO Mistika’s colour grading and finishing now supports the new Dolby
Vision image display system that can produce high dynamic range, or HDR,
images across a wide colour gamut.
Cinedeck’s recording and capture systems now support 4K production
and recent HD delivery standards for digital cinema, broadcast and post.