Broadcast post facility 3sixtymedia uses Baselight for Avid to show
directors and producers the latest grade in any suite, without waiting
for images to be transferred or rendered.
The Hollywood Post Alliance has become The Hollywood Professional
Alliance to acknowledge the evolution of post and focus on the people
creating the vision from a broad base of expertise.
Online artist Christian Tröger completed the post for Wim Wenders'
‘Every Thing Will Be Fine’ by integrating the depth-grade and colour
grade on the Mistika finishing system at ARRI Mitte.
Director Peter Chan's first digital production was graded and finished
at PO Group in Hong Kong on their Mistika 4K system backed by the
Mistika Assist Station and SGO SAN.
Ingenuity Engine’s team spent two days in the Chinese desert in a spot for
Qoros, pitting CG cars against the real thing - on the dance floor and flying
through the air.
‘Lord of the Rings’ and ‘Hobbit’ dialogue editor Ray Beentjes uses iZotope’s
RX 4 audio repair to clean up and neutralise the best performances from
original material the actors deliver on set.
Autodesk has acquired the assets of Tweak software, developer of the RV
image and sequence viewer designed for accurate review of film resolution
Irish independent production company Screentime ShinAwiL is using Forscene to speed up post-production on the fourth series of the reality
singing competition ‘The Voice of Ireland’.
The new documentary ‘Lake Baikal’, shot on the RED Epic, was produced
and post produced entirely in 4K native stereo 3D on the Mistika post,
grading and finishing system at RSS Studios.
SCRATCH v8.2 and Lab v8.2, now released, increase metadata support
and introduce Live View, allowing DPs and DITs to capture metadata from
live camera feeds and apply live grades.
At the 65th Berlin International Film Festival, Rohde & Schwarz DVS will support screenings and events with CLIPSTER mastering, a VENICE
ingest and production server and SpycerBox storage.
Deluxe Australia’s post studio, DDP Studios, recently completed upgrades
to their two SGO Mistika systems to prepare for high resolution and high-
frame rate work, including 4K UltraHD.
Parke Gregg and the team at post house Stuck On On in Texas
handled full post production of the film ‘Boyhood’, winner of the
2015 Golden Globe Best Motion Picture Drama award.
Digital Vision has been acquired from Image Systems by its management
team for 6.1 Million SEK to preserve the company’s 26-year heritage and
to fund future investment in R&D.
Virtual Post put the Snell Alchemist OD standards converter to work on
a challenging low frame rate conversion for ‘Where We Are: The Concert
Film’ shown in cinemas worldwide.
FotoKem developed 35mm and 65mm film finishing pipelines for the
new movie ‘Interstellar’ negative processing to film, digital and video
finishing and distribution.
LA Productions' Patrick Hall talks about changes to the new fast-turnaround
ProRes workflow for the BBC’s top-rating drama ‘Moving On’, now shot on
the Blackmagic Production Camera 4K.
Panavision has agreed to acquire post, on-set dailies and DI company
Light Iron. They plan to work together to develop turnkey systems
handling tasks from pre-production through delivery.