3sixtymedia Integrates Post Services on Baselight for Avid

Published on Wednesday, 25 February 2015

Broadcast post facility 3sixtymedia uses Baselight for Avid to show Baselight-Northumberland 3sixtymedia2
directors and producers the latest grade in any suite, without waiting
for images to be transferred or rendered.

Hollywood Post Alliance Turns Professional

Published on Wednesday, 18 February 2015

The Hollywood Post Alliance has become The Hollywood Professional HPA-Demo-Room1
Alliance to acknowledge the evolution of post and focus on the people
creating the vision from a broad base of expertise.

ARRI Mitte Colours & Finishes ‘Every Thing Will Be Fine’

Published on Wednesday, 18 February 2015

Online artist Christian Tröger completed the post for Wim Wenders' Mistika-wenders3
‘Every Thing Will Be Fine’ by integrating the depth-grade and colour
grade on the Mistika finishing system at ARRI Mitte.

PO Group Grades & Finishes ‘American Dreams in China’ on Mistika

Published on Monday, 05 January 2015

Director Peter Chan's first digital production was graded and finished Mistika-po-group-chan-sgo4
at PO Group in Hong Kong on their Mistika 4K system backed by the
Mistika Assist Station and SGO SAN.

Ingenuity Engine Gives Qoros Cars a Whirl over China’s Desert

Published on Saturday, 14 February 2015

Ingenuity Engine’s team spent two days in the Chinese desert in a spot for Ingenuity-Engine-Qoros-12a
Qoros, pitting CG cars against the real thing - on the dance floor and flying
through the air.

The Voices of Middle Earth Come to Life with RX 4 Audio Repair

Published on Monday, 05 January 2015

‘Lord of the Rings’ and ‘Hobbit’ dialogue editor Ray Beentjes uses iZotope’s Izotope-Ray-Beentjes2
RX 4 audio repair to clean up and neutralise the best performances from
original material the actors deliver on set.

Autodesk Acquires Tweak Software

Published on Tuesday, 10 February 2015

Autodesk has acquired the assets of Tweak software, developer of the RV Autodesk-rv-screencap5a
image and sequence viewer designed for accurate review of film resolution
digital imagery.

Screentime ShinAwiL Adds Forscene to Post Workflow for 'The Voice of Ireland'

Published on Wednesday, 17 December 2014

Irish independent production company Screentime ShinAwiL is using Forscene-screentime-shinawil3aForscene to speed up post-production on the fourth series of the reality
singing competition ‘The Voice of Ireland’.

RSS Dives into Post for ‘Lake Baikal’ 4K Documentary on Mistika

Published on Thursday, 05 February 2015

The new documentary ‘Lake Baikal’, shot on the RED Epic, was produced Mistika-baikal4
and post produced entirely in 4K native stereo 3D on the Mistika post,
grading and finishing system at RSS Studios.

SCRATCH v8.2 Gains Metadata Support & Cloud-based Review

Published on Wednesday, 17 December 2014

SCRATCH v8.2 and Lab v8.2, now released, increase metadata support Scratch live-view
and introduce Live View, allowing DPs and DITs to capture metadata from
live camera feeds and apply live grades. 

65th Berlinale and DVS Design Film Festival DCP Workflows

Published on Monday, 02 February 2015

At the 65th Berlin International Film Festival, Rohde & Schwarz DVS Berlinale-dvs-Wenders StiftungBwill support screenings and events with CLIPSTER mastering, a VENICE
ingest and production server and SpycerBox storage.

DDP Studios Ramps Up Mistika Suites for 4K UltraHD

Published on Tuesday, 16 December 2014

Deluxe Australia’s post studio, DDP Studios, recently completed upgrades Mistika-4K-Grupo-Secuoya
to their two SGO Mistika systems to prepare for high resolution and high-
frame rate work, including 4K UltraHD.

Stuck On On Takes On Post Production for Golden Globe Winner ‘Boyhood’

Published on Tuesday, 27 January 2015

Parke Gregg and the team at post house Stuck On On in Texas Assimilate-Boyhood3
handled full post production of the film ‘Boyhood’, winner of the
2015 Golden Globe Best Motion Picture Drama award.

Digital Vision’s Management Acquisition to Fund Future R&D

Published on Monday, 08 December 2014

Digital Vision has been acquired from Image Systems by its management Digital-vision-nucoda
team for 6.1 Million SEK to preserve the company’s 26-year heritage and
to fund future investment in R&D.

Virtual Post & Alchemist OD Bring One Direction to Big Screens

Published on Friday, 23 January 2015

Virtual Post put the Snell Alchemist OD standards converter to work on Snell-One-Direction
a challenging low frame rate conversion for ‘Where We Are: The Concert
Film’ shown in cinemas worldwide.

FotoKem Leads ‘Interstellar’ Film-to-Multiplatform Release

Published on Saturday, 06 December 2014

FotoKem developed 35mm and 65mm film finishing pipelines for the Fotokem-interstellar4a
new movie ‘Interstellar’ negative processing to film, digital and video
finishing and distribution.

Top BBC Drama Moves On with Blackmagic ProRes Workflow

Published on Monday, 19 January 2015

LA Productions' Patrick Hall talks about changes to the new fast-turnaround Blackmagic-pc-4k-moving-on3a
ProRes workflow for the BBC’s top-rating drama ‘Moving On’, now shot on
the Blackmagic Production Camera 4K.

Panavision Acquires Light Iron for Production Systems Development

Published on Saturday, 06 December 2014

Panavision has agreed to acquire post, on-set dailies and DI company Panavision-light-iron-Snyder-Cioni
Light Iron. They plan to work together to develop turnkey systems
handling tasks from pre-production through delivery.