Cutting Edge TV Unit Delivers Post for Eyeworks’ Bali Holiday

Published on Wednesday, 16 July 2014

Cutting Edge’s new TV Unit has delivered a colour grade, online and sound Cutting-edge-tvu-bali5
package for the unabashed Eyeworks Australia documentary series ‘What
Really Happens in Bali’.

Japanese Post Houses Take On 4K Workflows with Quantel

Published on Wednesday, 16 July 2014

According to Quantel, 4K formats are gaining hold in Japan for movies, TV and Quantel-4k-japan2
large format displays, several post houses are using Quantel and Pablo Rio to
handle 4K post production.

Encore and Baselight Give ‘House of Cards’ a 4K Finish

Published on Wednesday, 25 June 2014

Encore’s colourist Laura Jans-Fazio completed the grade for ‘House FilmLight-baselight-House-Cards2
of Cards’ in uncompressed 4K on the Baselight TWO, working remotely
via PIX with the DP and director David Fincher.

Marquise Develops 4K Mastering and QC for Digital Cinema & TV

Published on Tuesday, 15 April 2014

Post-production developer Marquise Technologies is increasing Marquise-rain-grading
their mastering, versioning and quality control system’s capabilities
with new 4K functionality and JPEG2000 support.

Die Paten and Pablo Rio Race to the Finish for Daimler’s Short Film

Published on Saturday, 21 June 2014

die paten production and post facility in Berlin used a new Quantel Pablo Rio Quantel-die-paten3
system to colour and finish a demanding HD corporate image film for Daimler
– all in record time.

Quantel Pablo Rio & GE2 Link to Speed 4K Workflows

Published on Monday, 07 April 2014

NAB The updated Quantel Pablo Rio finishing system includes new format Quantel-Pablo-Rio
support, conform of Avid effects and AVCHD softmount to work faster
with the new Genetic Engineering 2.

FotoKem Builds a Creative DI for 'Palo Alto'

Published on Saturday, 14 June 2014

FotoKem completed the DI and post services for independent film ‘Palo Alto’. FotoKem-palo-alto4
FotoKem’s colourist Alastor Arnold fine-tuned the grade with director Gia
Coppola and DP Autumn Durald.

Deluxe New York Mixes 'Noah' with Dolby Atmos

Published on Thursday, 03 April 2014

The new mixing stage at Deluxe New York was the location where sound Deluxe-dolby-atmos-noah
editors Skip Lievsay and Craig Henighan mixed ‘Noah’ using the lifelike sound
achieved with the Dolby Atmos system.

Joust’s VFX and Digital Workflow Puts Cosmos in Order

Published on Thursday, 12 June 2014

The production of TV series 'Cosmos: A Spacetime Odyssey' employed Joust-cosmos3
Joust workflow software to help control the creation of visual effects, view
dailies and allow on-demand editorial pulls.

BulletProof v1.2 Adds Camera Formats & Speeds Images to Edit

Published on Thursday, 03 April 2014

NAB Red Giant BulletProof 1.2 footage backup and preparation tool Bullet-proof-EXPORT_VIEW.jpg
is updated with more camera support including AVCHD and Canon XF
formats, and more robust backup.

EC3 Grades the X-Men’s Near Set Dailies on DaVinci Resolve

Published on Thursday, 05 June 2014

EC3 dailies colourist Adrian DeLude and DP Tom Sigel produced the near Blackmagic-resolve-X-Men-lehnsherr
set dailies colour grade on ‘X-Men: Days of Future Past’, using DaVinci
Resolve to develop distinctive superhero looks.

FilmLight and Codex Develop New Digital Dailies Process

Published on Wednesday, 02 April 2014

NAB FilmLight and Codex are showing a new joint development in Filmlight-codex-Dailies_3_Grade
which several dailies variant are created in a single, automated process,
with an initial Baselight grade.

The Vanity Adds Baselight TWO Suite to Finishing Services

Published on Thursday, 29 May 2014

The Vanity post studio in Toronto, specialising in VFX, is extending its finishing Filmlight-the-vanity2
services with a new FilmLight Baselight TWO colour grading suite and Blackboard
2 control surface.

Technicolor PostWorks Grades & Finishes a Digital Romance

Published on Wednesday, 26 February 2014

The team at The Room studio at Technicolor-PostWorks talk about grading, Technicolor-PostWorks-Her2
conforming and finishing the recent movie ‘Her’, adding last minute VFX shots
and polishing the colour palette.

Turner Studios Tune Up Colour & Finishing on Pablo Rio

Published on Tuesday, 27 May 2014

Turner Studios, post division for Turner Broadcasting has purchased a Pablo Quantel-turner-studios2
Rio colour and finishing system for post services at TNT, Cartoon Network and
all of Turner's Networks.

Quantel Genetic Engineering 2 Pumps Up Pablo Rio Performance

Published on Thursday, 30 January 2014

The new Quantel shared storage system boosts productivity, teamworking Quantel-imagica
and flexibility for post workflows, increasing Pablo Rio’s uptake and activity
around the world.

Company 3 London Welcomes New Technical Director John Quartel

Published on Friday, 25 April 2014

Colour scientist John Quartel takes the role of technical director at Company 3 Company-3-John-quartel
in London where he will focus on integrating the colour pipeline from dailies
through editorial, VFX and post.

Park Road & DVS Surround ‘Desolation of Smaug’ with Dolby Atmos

Published on Tuesday, 24 December 2013

DVS and Park Road Post integrated Atmos sound into DCP creation DVS-Park-road-hobbit-smaug2
for ‘Desolation of Smaug’, implementing one of the first high frame
rate DCI workflows to use the new Dolby standard.