Marquise Develops 4K Mastering and QC for Digital Cinema & TV

Published on Tuesday, 15 April 2014

Post-production developer Marquise Technologies is increasing Marquise-rain-grading
their mastering, versioning and quality control system’s capabilities
with new 4K functionality and JPEG2000 support.

Quantel Pablo Rio & GE2 Link to Speed 4K Workflows

Published on Monday, 07 April 2014

NAB The updated Quantel Pablo Rio finishing system includes new format Quantel-Pablo-Rio
support, conform of Avid effects and AVCHD softmount to work faster
with the new Genetic Engineering 2.

Deluxe New York Mixes 'Noah' with Dolby Atmos

Published on Thursday, 03 April 2014

The new mixing stage at Deluxe New York was the location where sound Deluxe-dolby-atmos-noah
editors Skip Lievsay and Craig Henighan mixed ‘Noah’ using the lifelike sound
achieved with the Dolby Atmos system.

The PostMan Delivers File-Based Video Faster on Facilis

Published on Saturday, 23 November 2013

A new 60TB Facilis shared storage system is now moving large files faster Postman-facilis-mix2
through The PostMan’s offline and online editing, grading, VFX and audio

BulletProof v1.2 Adds Camera Formats & Speeds Images to Edit

Published on Thursday, 03 April 2014

NAB Red Giant BulletProof 1.2 footage backup and preparation tool Bullet-proof-EXPORT_VIEW.jpg
is updated with more camera support including AVCHD and Canon XF
formats, and more robust backup.

Core Post Speeds Rushes & Editing with FORscene

Published on Tuesday, 19 November 2013

New facility Core Post near MediaCityUK has integrated FORscene into Forscene-multicam_screenshot
its regular post workflow to gain flexibility and efficiency when working
on large-scale projects.

FilmLight and Codex Develop New Digital Dailies Process

Published on Wednesday, 02 April 2014

NAB FilmLight and Codex are showing a new joint development in Filmlight-codex-Dailies_3_Grade
which several dailies variant are created in a single, automated process,
with an initial Baselight grade.

Audionamix Keeps Donna Summer Remix On Track

Published on Sunday, 03 November 2013

Audionamix produced isolated vocals from mixed recordings for Audionamix-donna-summer-love-to-love-you-baby-remix
Verve Records' Donna Summer remix album, using their audio
source separation system, ADX.

Technicolor PostWorks Grades & Finishes a Digital Romance

Published on Wednesday, 26 February 2014

The team at The Room studio at Technicolor-PostWorks talk about grading, Technicolor-PostWorks-Her2
conforming and finishing the recent movie ‘Her’, adding last minute VFX shots
and polishing the colour palette.

Colorfront Cloud Distributes Dailies and DI Services

Published on Saturday, 19 October 2013

Colorfront Cloud Services helps split workloads between teams and Colorfront-cloud
resources on-set, near-set, in a facility or in the cloud, with access
to management tools.

Quantel Genetic Engineering 2 Pumps Up Pablo Rio Performance

Published on Thursday, 30 January 2014

The new Quantel shared storage system boosts productivity, teamworking Quantel-imagica
and flexibility for post workflows, increasing Pablo Rio’s uptake and activity
around the world.

SIM Digital Designs Data-Centric Set-to-Post Workflows

Published on Wednesday, 16 October 2013

SIM Digital rental house took advantage of the shift from film to digital capture, SIM-digital
and now designs customized production workflows from camera through dailies
to post.

Park Road & DVS Surround ‘Desolation of Smaug’ with Dolby Atmos

Published on Tuesday, 24 December 2013

DVS and Park Road Post integrated Atmos sound into DCP creation DVS-Park-road-hobbit-smaug2
for ‘Desolation of Smaug’, implementing one of the first high frame
rate DCI workflows to use the new Dolby standard.

Image-Scientist Bill Feightner Joins Colorfront As CTO

Published on Friday, 11 October 2013

Colorfront has appointed image-scientist Bill Feightner as new CTO. Colorfront-cto-Bill-Feightner
His work has helped progress and change the course of digital cinema
and colour science over his 35 year career.

BTV Post Shows ‘How Cities Work’ in 2D and Stereo 3D

Published on Thursday, 12 December 2013

London's BTV Post designed and carried out the full post production Mistika-BTV Post-cities
for a five-episode TV series ‘How Cities Work’, commissioned by
Discovery, shot in stereo on multiple cameras.

Cluster Studio Moves Up to High-Res with FilmLight FLUX

Published on Wednesday, 09 October 2013

In order to manage high-resolution projects better, Cluster Studio post Filmlight-cluster3
facility in Mexico recently added FLUX Store to their pipeline, a specialised
storage system from FilmLight.

Cinecolor Transitions to Digital Cinema in Latin America

Published on Thursday, 12 December 2013

Cinecolor in Latin America purchased Qube Cinema digital cinema Qube-cinema-argentina-scan
servers and DCP mastering software for facilities in five countries.
Each studio has a Qube XP-D server for QC of DCPs.

Zoic Links Remote Studios and Gears Up to 4K

Published on Sunday, 06 October 2013

Zoic Studios has customised a pipeline to help them manage, monitor AJA-Zoic
and review shots between their two facilities, handling work from virtual
production and 3D stereo to 4K.