FilmLight integrates its grading and finishing tools across dailies,
editorial and VFX using the renderless metadata-based Baselight
Linked Grade and resulting in a colour-managed pipeline.
At NAB, Mistika 8.5 will display with new 4K, Ultra HD, HFR and high
dynamic range functionality, hardware changes for performance, and
more format and colour space support.
Cinedeck’s File-Based Insert Editing allows timely insert editing in
NLE workflows, avoiding re-rendering and re-encoding entire final
program content to a digital delivery file.
Ingenuity Engine’s team spent two days in the Chinese desert in a spot for
Qoros, pitting CG cars against the real thing - on the dance floor and flying
through the air.
LipSync Post has opened its third grading suite, equipped with Baselight
grading system and Blackboard control panel from FilmLight, in time to
complete full post for TV series ‘Wolf Hall’.
Autodesk has acquired the assets of Tweak software, developer of the RV
image and sequence viewer designed for accurate review of film resolution
Based in Sydney, FSM is looking for an experienced and talented Senior 3D Creature Animator for an animated TVC.
FSM DESIGN & VFX is the award-winning, multi-disciplinary creative department of FSM - one of Australia's leading film and television post production companies:
The new documentary ‘Lake Baikal’, shot on the RED Epic, was produced
and post produced entirely in 4K native stereo 3D on the Mistika post,
grading and finishing system at RSS Studios.
Directing team Flat-e, Matt Bateman and Rob Slater, known for distinctive
projects with diverse brands and artists, have joined production company
STRANGE BEAST in London.
At the 65th Berlin International Film Festival, Rohde & Schwarz DVS will support screenings and events with CLIPSTER mastering, a VENICE
ingest and production server and SpycerBox storage.
Technicolor Montreal recently upgraded its production and post services
by investing in further infrastructure, including another Baselight system
to extend its FilmLight grading capacity.
Parke Gregg and the team at post house Stuck On On in Texas
handled full post production of the film ‘Boyhood’, winner of the
2015 Golden Globe Best Motion Picture Drama award.
Broadcast post facility 3sixtymedia uses Baselight for Avid to show
directors and producers the latest grade in any suite, without waiting
for images to be transferred or rendered.
Virtual Post put the Snell Alchemist OD standards converter to work on
a challenging low frame rate conversion for ‘Where We Are: The Concert
Film’ shown in cinemas worldwide.
The Hollywood Post Alliance has become The Hollywood Professional
Alliance to acknowledge the evolution of post and focus on the people
creating the vision from a broad base of expertise.
LA Productions' Patrick Hall talks about changes to the new fast-turnaround
ProRes workflow for the BBC’s top-rating drama ‘Moving On’, now shot on
the Blackmagic Production Camera 4K.
Online artist Christian Tröger completed the post for Wim Wenders'
‘Every Thing Will Be Fine’ by integrating the depth-grade and colour
grade on the Mistika finishing system at ARRI Mitte.
Director Peter Chan's first digital production was graded and finished
at PO Group in Hong Kong on their Mistika 4K system backed by the
Mistika Assist Station and SGO SAN.