Apache Digital Gears Up New Studio with DaVinci Resolve

Published on Wednesday, 01 October 2014

Colour correction studio Apache Digital has launched with two DaVinci Blackmagic-apache-color2
Resolve suites to work its way through both remote and local commercials,
broadcast projects and an independent film.

Alexia Sinclair Sculpts Digital Images with Light, Shadow and Detail

Published on Tuesday, 23 September 2014

Alexia Sinclair’s dramatic, fantasy images are based on digital Alexia-sinclair_Cabinets_of_curiosity
photography, combined with set, costume and make-up design,
stylized lighting, colour grading and compositing.

Quantel Shakes up Sports, High-Res & Live Post Workflows

Published on Monday, 22 September 2014

Quantel launched LiveTouch sports highlighting system at IBC2014, Quantel-Qube-software
integrating editing with highlights. sQ Fileflow 2 file handling engine
launched and Pablo Rio has UHD/4K updates.

KOJO’s Marty Pepper Lights Up a Career in Flame

Published on Tuesday, 05 August 2014

Digital artist Marty Pepper talks about the evolution of Autodesk’s Flame, Kojo-52Tuesdays-c
and the changing nature of his work as a post production artist and colourist
at KOJO post facility in Adelaide.

Colorfront Transkoder 2014 Moves to Real-Time 8K & UHDTV Post

Published on Monday, 15 September 2014

Colorfront demonstrated Transkoder 2014 at IBC2014 on 4K/60p broadcast Colorfront-Transkoder
video from Sony F55 and RED cameras, and processing and outputting
real-time 8K/60p playback from RAW formats.

Origin Digital Studios Builds a New VFX Production Collective

Published on Thursday, 24 July 2014

Origin Digital Studios is a new collective of VFX artists, producers and Origin-sleepy-hollow
supervisors in Burbank with long experience, servicing TV, commercial,
feature film and special venue projects.

SGO Mistika Turns Up Performance & Format Support at IBC2014

Published on Thursday, 11 September 2014

The Mistika DI and finishing system and the Mamba FX 2.0 compositor are Mistika-4K-Grupo-Secuoya
being demonstrated at IBC2014, including the new Spatial Isolation tools for
control over multi-layer EXR image files.

Cutting Edge TV Unit Delivers Post for Eyeworks’ Bali Holiday

Published on Wednesday, 16 July 2014

Cutting Edge’s new TV Unit has delivered a colour grade, online and sound Cutting-edge-tvu-bali5
package for the unabashed Eyeworks Australia documentary series ‘What
Really Happens in Bali’.

Mikros Image Standardizes Post Workflows on ASSIMILATE SCRATCH

Published on Tuesday, 09 September 2014

Mikros Image purchased a company-wide license for ASSIMILATE Assimilate-mikros-image3
SCRATCH and SCRATCH Lab to standardise all facilities on one workflow
across production and post from dailies to final output.

Japanese Post Houses Take On 4K Workflows with Quantel

Published on Wednesday, 16 July 2014

According to Quantel, 4K formats are gaining hold in Japan for movies, TV and Quantel-4k-japan2
large format displays, several post houses are using Quantel and Pablo Rio to
handle 4K post production.

Marquise KeyMaster Manages Digital Cinema KDMs in the Cloud

Published on Wednesday, 03 September 2014

Marquise KeyMaster supplies post facilities, studios and distributors with Marquise-keymaster-mist
cloud-based tools for managing and automating KDM duplication, delivery
and control of processing.

Encore and Baselight Give ‘House of Cards’ a 4K Finish

Published on Wednesday, 25 June 2014

Encore’s colourist Laura Jans-Fazio completed the grade for ‘House FilmLight-baselight-House-Cards2
of Cards’ in uncompressed 4K on the Baselight TWO, working remotely
via PIX with the DP and director David Fincher.

Goldcrest Post Builds Out New DI Suites with DaVinci Resolve

Published on Wednesday, 03 September 2014

London’s Goldcrest Post continues to expand its post services with three Blackmagic-Resolve-Goldcrest5
new digital intermediate theatrical grading suites equipped with DaVinci
Resolve 11 systems.

Die Paten and Pablo Rio Race to the Finish for Daimler’s Short Film

Published on Saturday, 21 June 2014

die paten production and post facility in Berlin used a new Quantel Pablo Rio Quantel-die-paten3
system to colour and finish a demanding HD corporate image film for Daimler
– all in record time.

Rising Sun Pictures Goes to War for ‘ANZAC Girls’

Published on Wednesday, 20 August 2014

Rising Sun Pictures in Adelaide created VFX and digital environments RSP-anzac2
for a new TV mini series about five nurses from Australia and NZ who
served with the Allied forces during World War I.

FotoKem Builds a Creative DI for 'Palo Alto'

Published on Saturday, 14 June 2014

FotoKem completed the DI and post services for independent film ‘Palo Alto’. FotoKem-palo-alto4
FotoKem’s colourist Alastor Arnold fine-tuned the grade with director Gia
Coppola and DP Autumn Durald.

The Look’s Colourists Gain a Global Reach with DaVinci Resolve

Published on Sunday, 17 August 2014

The Look post facility has launched a remote grading service out of Blackmagic-resolve-the-look2
their studio in London, direct to production companies from three new
DaVinci Resolve DI suites.

Joust’s VFX and Digital Workflow Puts Cosmos in Order

Published on Thursday, 12 June 2014

The production of TV series 'Cosmos: A Spacetime Odyssey' employed Joust-cosmos3
Joust workflow software to help control the creation of visual effects, view
dailies and allow on-demand editorial pulls.