DigitalFilm Tree's Cloud Workflows Add Remote Grading with DaVinci Resolve

Published on Wednesday, 22 July 2015

DigitalFilm Tree uses DaVinci Resolve for remote colour correction within Digitalfilm-tree-resolve
their post workflow, which connects users via cloud storage and integrates
their file-based workflows into one hub.

Colorfront Transkoder Gains Certification for Dolby Atmos DCPs

Published on Wednesday, 08 July 2015

Colorfront Transkoder now supports Dolby's object-based Atmos Digital Colorfront-Dolby-Soundfirm
audio format and can be used to create Dolby Atmos DCPs at up to ten
times faster-than-realtime.

Sony PCL Acquires Pablo Rio 8K for Production Services

Published on Monday, 29 June 2015

Pablo Rio 8K will be the basis of Sony PCL’s new 8K post pipeline when Sony-pcl-quantel2
the company launches one of the world’s first commercial 8K production
services in August 2015.

CinePostproduction Speeds DCP Delivery via Aspera’s Hybrid Cloud

Published on Wednesday, 27 May 2015

CinePostproduction combines Aspera On Demand with their SHARC distribution Aspera-cinepost-Sharc 04
platform for secure high-speed delivery of DCPs directly to theatres across Europe.

ArsenalCreative Takes Centre Stage in Santa Monica

Published on Friday, 26 June 2015

ArsenalCreative, founded by Mark Leiss of ArsenalFX, has launched Arsenal-amazon1
in LA following their first project, an integrated live action/CG Broadway
musical-style spot for Amazon Prime.

DK Studios Scales Up Rendering with Thinkbox Deadline

Published on Wednesday, 29 April 2015

Deadline keeps DK Studios’ render farm running smoothly, rendering Thinkbox-deadline-dk studios 04
jobs in 3ds Max, V-Ray, After Effects and Fusion, even as the workload
approaches one million frames per month.

Colourist Paul Harrison Looks Ahead to the Future in Colour

Published on Monday, 22 June 2015

Paul Harrison, colourist at Finish post in London, talks about the evolution Paul-harrison-finish-haig 02a
of colour grading in the past 20 years, from telecine to the fast, configurable
systems and control panels now in use.

Quantel Pablo Rio Accelerates with 8K Real-time Playback & ACES Support

Published on Friday, 17 April 2015

NAB Quantel’s new software for the Pablo Rio colour and finishing system Quantel-pablo rio 8k
adds OFX plugin support, improved EXR and alpha channel support and
realtime working and playback at 8K 60p.

MPC and The Work Launch Remote Grading in Detroit

Published on Thursday, 18 June 2015

MPC is expanding its US remote grading service with a new Mpc-detroit-colour4
partnership with The Work, a production and editorial studio
in Detroit.

Marquise TORNADO Automates High Speed Transcoding for IMF and DCP

Published on Wednesday, 08 April 2015

Marquise TORNADO fast transcoding engine automates multiple renders Marquise-tornado-mastering
of high-resolution content for delivery to digital cinema and broadcast
content distributors and OTT vendors.

THAT Studio Ramps Up Resources for Indie Filmmakers

Published on Thursday, 18 June 2015

THAT Studio is a growing filmmaker’s resource, started by a group That-studio-explosions
of post artists. From a neat collection of FX and tutorials, they plan
to share their expertise with filmmakers everywhere.

Silverglade Post Keeps Media on the Move with Avid Everywhere

Published on Wednesday, 01 April 2015

Long-form post house Silverglade specialises in working entirely in native Avid-central-silverglade1
HD. By adopting the MediaCentral Platform they run a faster pipeline and
can work with clients remotely.

Colorfront Demos UHD HDR Production & Post at Cine Gear 2015

Published on Tuesday, 09 June 2015

Colorfront has demonstrated recent developments in its on-set dailies Colorfront-OSD-Transkoder
and transcoding systems, which currently support UHD HDR productions,
during the Cine Gear Expo 2015.

FilmLight’s Colour Workflow Takes the Grade from Set to Screen

Published on Wednesday, 01 April 2015

FilmLight integrates its grading and finishing tools across dailies, Filmlight-Chappie
editorial and VFX using the renderless metadata-based Baselight
Linked Grade and resulting in a colour-managed pipeline.

Fido Packs High Action VFX for ‘Kung Fury’ with Autodesk and ftrack

Published on Tuesday, 02 June 2015

Sweden’s VFX studio Fido created retro-style looks and 400 effects Fido KungFury-nazifight
shots for comic thriller ‘Kung Fury’, working with Autodesk 3D software
and their in-house production tracking tool, ftrack.

SGO Mistika 8.5 Leaps Ahead on Resolution, Colour & Speed

Published on Tuesday, 31 March 2015

At NAB, Mistika 8.5 will display with new 4K, Ultra HD, HFR and high SGO-Mistika-Post-System2
dynamic range functionality, hardware changes for performance, and
more format and colour space support.

FotoKem Connects Camera, Editorial and Post for Wayward Pines

Published on Thursday, 28 May 2015

FotoKem supported production for new TV series ‘Wayward Pines’, Fotokem-wayward-pines2b
handling production and post simultaneously at several locations with
a colour-accurate, collaborative post pipeline.

Cinedeck File-Based Insert Editing Speeds Digital Deliverables

Published on Wednesday, 25 March 2015

Cinedeck’s File-Based Insert Editing allows timely insert editing in Cinedeck-Insert-Edit-Image1
NLE workflows, avoiding re-rendering and re-encoding entire final
program content to a digital delivery file.