The team at The Room studio at Technicolor-PostWorks talk about grading,
conforming and finishing the recent movie ‘Her’, adding last minute VFX shots
and polishing the colour palette.
The new Quantel shared storage system boosts productivity, teamworking
and flexibility for post workflows, increasing Pablo Rio’s uptake and activity
around the world.
DVS and Park Road Post integrated Atmos sound into DCP creation
for ‘Desolation of Smaug’, implementing one of the first high frame
rate DCI workflows to use the new Dolby standard.
Colorfront has appointed image-scientist Bill Feightner as new CTO.
His work has helped progress and change the course of digital cinema
and colour science over his 35 year career.
London's BTV Post designed and carried out the full post production
for a five-episode TV series ‘How Cities Work’, commissioned by
Discovery, shot in stereo on multiple cameras.
In order to manage high-resolution projects better, Cluster Studio post
facility in Mexico recently added FLUX Store to their pipeline, a specialised
storage system from FilmLight.
Cinecolor in Latin America purchased Qube Cinema digital cinema
servers and DCP mastering software for facilities in five countries.
Each studio has a Qube XP-D server for QC of DCPs.
Zoic Studios has customised a pipeline to help them manage, monitor
and review shots between their two facilities, handling work from virtual
production and 3D stereo to 4K.
A new 60TB Facilis shared storage system is now moving large files faster
through The PostMan’s offline and online editing, grading, VFX and audio
Marquise post production software now has a 4K workflow and
GPU-accelerated processing, including on-set dailies, conform, real-
time grading, QC and DCP and IMF mastering.
New facility Core Post near MediaCityUK has integrated FORscene into
its regular post workflow to gain flexibility and efficiency when working
on large-scale projects.
Shapeshifter post studio used a specialised workflow between Blackmagic’s
Teranex and Resolve to combine new and archival footage for ‘Mel Brooks:
Make a Noise’ documentary.
Audionamix produced isolated vocals from mixed recordings for
Verve Records' Donna Summer remix album, using their audio
source separation system, ADX.
At IBC FilmLight is showing upgrades across its products that improve
control, accuracy and consistency within post production workflows
that depend on the colour pipeline.
Colorfront Cloud Services helps split workloads between teams and
resources on-set, near-set, in a facility or in the cloud, with access
to management tools.
Cospective cineSync Pro 3.3 now integrates Aspera's fast fasp file
transfer system into video review sessions. Large-file reviews move
faster, while maintaining security.
SIM Digital rental house took advantage of the shift from film to digital capture,
and now designs customized production workflows from camera through dailies
Cutting Edge is opening up a new facility in the post production
precinct of South Melbourne, adding to its existing operations in
Sydney and Brisbane.