FilmLight’s Colour Workflow Takes the Grade from Set to Screen

Published on Wednesday, 01 April 2015

FilmLight integrates its grading and finishing tools across dailies, Filmlight-Chappie
editorial and VFX using the renderless metadata-based Baselight
Linked Grade and resulting in a colour-managed pipeline.

SGO Mistika 8.5 Leaps Ahead on Resolution, Colour & Speed

Published on Tuesday, 31 March 2015

At NAB, Mistika 8.5 will display with new 4K, Ultra HD, HFR and high SGO-Mistika-Post-System2
dynamic range functionality, hardware changes for performance, and
more format and colour space support.

Cinedeck File-Based Insert Editing Speeds Digital Deliverables

Published on Wednesday, 25 March 2015

Cinedeck’s File-Based Insert Editing allows timely insert editing in Cinedeck-Insert-Edit-Image1
NLE workflows, avoiding re-rendering and re-encoding entire final
program content to a digital delivery file.

Ingenuity Engine Gives Qoros Cars a Whirl over China’s Desert

Published on Saturday, 14 February 2015

Ingenuity Engine’s team spent two days in the Chinese desert in a spot for Ingenuity-Engine-Qoros-12a
Qoros, pitting CG cars against the real thing - on the dance floor and flying
through the air.

LipSync Post Visualises ‘Wolf Hall’ with Third Baselight Suite

Published on Tuesday, 24 March 2015

LipSync Post has opened its third grading suite, equipped with Baselight LipSync-Stuart-FyvieFilmLight-Baselight
grading system and Blackboard control panel from FilmLight, in time to
complete full post for TV series ‘Wolf Hall’.

Autodesk Acquires Tweak Software

Published on Tuesday, 10 February 2015

Autodesk has acquired the assets of Tweak software, developer of the RV Autodesk-rv-screencap5a
image and sequence viewer designed for accurate review of film resolution
digital imagery.

LATEST JOB - 3D Creature Animator - FSM

Published on Thursday, 19 March 2015

 

Based in Sydney, FSM is looking for an experienced and talented Senior 3D Creature Animator for an animated TVC.

FSM DESIGN & VFX is the award-winning, multi-disciplinary creative department of FSM - one of Australia's leading film and television post production companies:

RSS Dives into Post for ‘Lake Baikal’ 4K Documentary on Mistika

Published on Thursday, 05 February 2015

The new documentary ‘Lake Baikal’, shot on the RED Epic, was produced Mistika-baikal4
and post produced entirely in 4K native stereo 3D on the Mistika post,
grading and finishing system at RSS Studios.

Directors Flat-e Join STRANGE BEAST

Published on Thursday, 19 March 2015

Directing team Flat-e, Matt Bateman and Rob Slater, known for distinctive Flat-e-sony ps3-1
projects with diverse brands and artists, have joined production company
STRANGE BEAST in London.

65th Berlinale and DVS Design Film Festival DCP Workflows

Published on Monday, 02 February 2015

At the 65th Berlin International Film Festival, Rohde & Schwarz DVS Berlinale-dvs-Wenders StiftungBwill support screenings and events with CLIPSTER mastering, a VENICE
ingest and production server and SpycerBox storage.

Technicolor Montreal Extends DI Pipeline with New Baselight

Published on Tuesday, 10 March 2015

Technicolor Montreal recently upgraded its production and post services Technicolor-baselight44 4b
by investing in further infrastructure, including another Baselight system
to extend its FilmLight grading capacity.

Stuck On On Takes On Post Production for Golden Globe Winner ‘Boyhood’

Published on Tuesday, 27 January 2015

Parke Gregg and the team at post house Stuck On On in Texas Assimilate-Boyhood3
handled full post production of the film ‘Boyhood’, winner of the
2015 Golden Globe Best Motion Picture Drama award.

3sixtymedia Integrates Post Services on Baselight for Avid

Published on Wednesday, 25 February 2015

Broadcast post facility 3sixtymedia uses Baselight for Avid to show Baselight-Northumberland 3sixtymedia2
directors and producers the latest grade in any suite, without waiting
for images to be transferred or rendered.

Virtual Post & Alchemist OD Bring One Direction to Big Screens

Published on Friday, 23 January 2015

Virtual Post put the Snell Alchemist OD standards converter to work on Snell-One-Direction
a challenging low frame rate conversion for ‘Where We Are: The Concert
Film’ shown in cinemas worldwide.

Hollywood Post Alliance Turns Professional

Published on Wednesday, 18 February 2015

The Hollywood Post Alliance has become The Hollywood Professional HPA-Demo-Room1
Alliance to acknowledge the evolution of post and focus on the people
creating the vision from a broad base of expertise.

Top BBC Drama Moves On with Blackmagic ProRes Workflow

Published on Monday, 19 January 2015

LA Productions' Patrick Hall talks about changes to the new fast-turnaround Blackmagic-pc-4k-moving-on3a
ProRes workflow for the BBC’s top-rating drama ‘Moving On’, now shot on
the Blackmagic Production Camera 4K.

ARRI Mitte Colours & Finishes ‘Every Thing Will Be Fine’

Published on Wednesday, 18 February 2015

Online artist Christian Tröger completed the post for Wim Wenders' Mistika-wenders3
‘Every Thing Will Be Fine’ by integrating the depth-grade and colour
grade on the Mistika finishing system at ARRI Mitte.

PO Group Grades & Finishes ‘American Dreams in China’ on Mistika

Published on Monday, 05 January 2015

Director Peter Chan's first digital production was graded and finished Mistika-po-group-chan-sgo4
at PO Group in Hong Kong on their Mistika 4K system backed by the
Mistika Assist Station and SGO SAN.