A new 60TB Facilis shared storage system is now moving large files faster
through The PostMan’s offline and online editing, grading, VFX and audio
New facility Core Post near MediaCityUK has integrated FORscene into
its regular post workflow to gain flexibility and efficiency when working
on large-scale projects.
Audionamix produced isolated vocals from mixed recordings for
Verve Records' Donna Summer remix album, using their audio
source separation system, ADX.
At IBC FilmLight is showing upgrades across its products that improve
control, accuracy and consistency within post production workflows
that depend on the colour pipeline.
Colorfront Cloud Services helps split workloads between teams and
resources on-set, near-set, in a facility or in the cloud, with access
to management tools.
Cospective cineSync Pro 3.3 now integrates Aspera's fast fasp file
transfer system into video review sessions. Large-file reviews move
faster, while maintaining security.
SIM Digital rental house took advantage of the shift from film to digital capture,
and now designs customized production workflows from camera through dailies
Cutting Edge is opening up a new facility in the post production
precinct of South Melbourne, adding to its existing operations in
Sydney and Brisbane.
Colorfront has appointed image-scientist Bill Feightner as new CTO.
His work has helped progress and change the course of digital cinema
and colour science over his 35 year career.
Margarita Mix Hollywood, a part of FotoKem, has developed a
post production finishing workflow that adds two colour suites
and an upgraded hub for media management.
In order to manage high-resolution projects better, Cluster Studio post
facility in Mexico recently added FLUX Store to their pipeline, a specialised
storage system from FilmLight.
Framestore appoints Russell Dodgson as new Head of Nuke, Worldwide,
among the company’s first global advertising roles across London, New
York and the new LA studio.
Zoic Studios has customised a pipeline to help them manage, monitor
and review shots between their two facilities, handling work from virtual
production and 3D stereo to 4K.
Manufacturer of precision lenses Cooke Optics is planning with Codex
and The Pixel Farm to develop and produce a new metadata capture
system for film and digital cameras.
Marquise post production software now has a 4K workflow and
GPU-accelerated processing, including on-set dailies, conform, real-
time grading, QC and DCP and IMF mastering.
VFX studio a52 helped give the final look to TV series ‘House of
Cards’, developing smooth grading and finishing workflows and
handling all-digital delivery for Netflix.
Shapeshifter post studio used a specialised workflow between Blackmagic’s
Teranex and Resolve to combine new and archival footage for ‘Mel Brooks:
Make a Noise’ documentary.
Colourist Olivier Fontenay at EFilm in Sydney explores the details
of grading Jane Campion’s recent UKTV series ‘Top of the Lake’,
and Deluxe Digital Pictures’ post-production process.