Deadline keeps DK Studios’ render farm running smoothly, rendering
jobs in 3ds Max, V-Ray, After Effects and Fusion, even as the workload
approaches one million frames per month.
NAB Quantel’s new software for the Pablo Rio colour and finishing system
adds OFX plugin support, improved EXR and alpha channel support and
realtime working and playback at 8K 60p.
Marquise TORNADO fast transcoding engine automates multiple renders
of high-resolution content for delivery to digital cinema and broadcast
content distributors and OTT vendors.
Technicolor Montreal recently upgraded its production and post services
by investing in further infrastructure, including another Baselight system
to extend its FilmLight grading capacity.
Long-form post house Silverglade specialises in working entirely in native
HD. By adopting the MediaCentral Platform they run a faster pipeline and
can work with clients remotely.
Broadcast post facility 3sixtymedia uses Baselight for Avid to show
directors and producers the latest grade in any suite, without waiting
for images to be transferred or rendered.
FilmLight integrates its grading and finishing tools across dailies,
editorial and VFX using the renderless metadata-based Baselight
Linked Grade and resulting in a colour-managed pipeline.
The Hollywood Post Alliance has become The Hollywood Professional
Alliance to acknowledge the evolution of post and focus on the people
creating the vision from a broad base of expertise.
At NAB, Mistika 8.5 will display with new 4K, Ultra HD, HFR and high
dynamic range functionality, hardware changes for performance, and
more format and colour space support.
Online artist Christian Tröger completed the post for Wim Wenders'
‘Every Thing Will Be Fine’ by integrating the depth-grade and colour
grade on the Mistika finishing system at ARRI Mitte.
Cinedeck’s File-Based Insert Editing allows timely insert editing in
NLE workflows, avoiding re-rendering and re-encoding entire final
program content to a digital delivery file.
Ingenuity Engine’s team spent two days in the Chinese desert in a spot for
Qoros, pitting CG cars against the real thing - on the dance floor and flying
through the air.
LipSync Post has opened its third grading suite, equipped with Baselight
grading system and Blackboard control panel from FilmLight, in time to
complete full post for TV series ‘Wolf Hall’.
Autodesk has acquired the assets of Tweak software, developer of the RV
image and sequence viewer designed for accurate review of film resolution
Based in Sydney, FSM is looking for an experienced and talented Senior 3D Creature Animator for an animated TVC.
FSM DESIGN & VFX is the award-winning, multi-disciplinary creative department of FSM - one of Australia's leading film and television post production companies:
The new documentary ‘Lake Baikal’, shot on the RED Epic, was produced
and post produced entirely in 4K native stereo 3D on the Mistika post,
grading and finishing system at RSS Studios.
Directing team Flat-e, Matt Bateman and Rob Slater, known for distinctive
projects with diverse brands and artists, have joined production company
STRANGE BEAST in London.
At the 65th Berlin International Film Festival, Rohde & Schwarz DVS will support screenings and events with CLIPSTER mastering, a VENICE
ingest and production server and SpycerBox storage.