Post-production developer Marquise Technologies is increasing
their mastering, versioning and quality control system’s capabilities
with new 4K functionality and JPEG2000 support.
NAB The updated Quantel Pablo Rio finishing system includes new format
support, conform of Avid effects and AVCHD softmount to work faster
with the new Genetic Engineering 2.
The new mixing stage at Deluxe New York was the location where sound
editors Skip Lievsay and Craig Henighan mixed ‘Noah’ using the lifelike sound
achieved with the Dolby Atmos system.
A new 60TB Facilis shared storage system is now moving large files faster
through The PostMan’s offline and online editing, grading, VFX and audio
NAB Red Giant BulletProof 1.2 footage backup and preparation tool
is updated with more camera support including AVCHD and Canon XF
formats, and more robust backup.
New facility Core Post near MediaCityUK has integrated FORscene into
its regular post workflow to gain flexibility and efficiency when working
on large-scale projects.
NAB FilmLight and Codex are showing a new joint development in
which several dailies variant are created in a single, automated process,
with an initial Baselight grade.
Audionamix produced isolated vocals from mixed recordings for
Verve Records' Donna Summer remix album, using their audio
source separation system, ADX.
The team at The Room studio at Technicolor-PostWorks talk about grading,
conforming and finishing the recent movie ‘Her’, adding last minute VFX shots
and polishing the colour palette.
Colorfront Cloud Services helps split workloads between teams and
resources on-set, near-set, in a facility or in the cloud, with access
to management tools.
The new Quantel shared storage system boosts productivity, teamworking
and flexibility for post workflows, increasing Pablo Rio’s uptake and activity
around the world.
SIM Digital rental house took advantage of the shift from film to digital capture,
and now designs customized production workflows from camera through dailies
DVS and Park Road Post integrated Atmos sound into DCP creation
for ‘Desolation of Smaug’, implementing one of the first high frame
rate DCI workflows to use the new Dolby standard.
Colorfront has appointed image-scientist Bill Feightner as new CTO.
His work has helped progress and change the course of digital cinema
and colour science over his 35 year career.
London's BTV Post designed and carried out the full post production
for a five-episode TV series ‘How Cities Work’, commissioned by
Discovery, shot in stereo on multiple cameras.
In order to manage high-resolution projects better, Cluster Studio post
facility in Mexico recently added FLUX Store to their pipeline, a specialised
storage system from FilmLight.
Cinecolor in Latin America purchased Qube Cinema digital cinema
servers and DCP mastering software for facilities in five countries.
Each studio has a Qube XP-D server for QC of DCPs.
Zoic Studios has customised a pipeline to help them manage, monitor
and review shots between their two facilities, handling work from virtual
production and 3D stereo to 4K.