Development between SGO and Legend3D has resulted in a depth grade
node in the Mistika post system that uses data from the conversion to
interactively design depth in real-time.
Doug Delaney used the Baselight DI theatre at Sony Pictures Colorworks
for VFX reviews to gain a technical relationship with vendors and let
the director and DP see the FX work graded.
Digital Jungle Post Production in LA has made its feature film debut,
completing the conform and grade but also over 100 VFX shots on their
Pablo 4K colour and finishing system.
Colorfront demonstrated Transkoder 2014 at IBC2014 on 4K/60p broadcast
video from Sony F55 and RED cameras, and processing and outputting
real-time 8K/60p playback from RAW formats.
At O2 Post, DaVinci Resolve is becoming central to the production and
post workflow. Editors, colourists, VFX artists, directors and clients
can work with Resolve files anywhere in the facility.
The Mistika DI and finishing system and the Mamba FX 2.0 compositor are
being demonstrated at IBC2014, including the new Spatial Isolation tools for
control over multi-layer EXR image files.
At SMPTE 2014, Colorfront demos new developments in UHDTV post, IMF
authoring and DCP digital cinema mastering in OSD Transkoder 2014,
On-Set Dailies and Express Dailies.
Mikros Image purchased a company-wide license for ASSIMILATE
SCRATCH and SCRATCH Lab to standardise all facilities on one workflow
across production and post from dailies to final output.
The MPC advertising team in LA has adopted ftrack project management
software, a production tracking tool for VFX to handle large numbers of
assets and set up effective communications.
Marquise KeyMaster supplies post facilities, studios and distributors with
cloud-based tools for managing and automating KDM duplication, delivery
and control of processing.
'Gone Girl', shot entirely in 6K on the RED Dragon, used NVIDIA Quadro
GPUs for post processing and was also the first major Hollywood movie
cut completely in Adobe Premiere Pro CC.
London’s Goldcrest Post continues to expand its post services with three
new digital intermediate theatrical grading suites equipped with DaVinci
Resolve 11 systems.
Colour correction studio Apache Digital has launched with two DaVinci
Resolve suites to work its way through both remote and local commercials,
broadcast projects and an independent film.
Rising Sun Pictures in Adelaide created VFX and digital environments
for a new TV mini series about five nurses from Australia and NZ who
served with the Allied forces during World War I.
Alexia Sinclair’s dramatic, fantasy images are based on digital
photography, combined with set, costume and make-up design,
stylized lighting, colour grading and compositing.
The Look post facility has launched a remote grading service out of
their studio in London, direct to production companies from three new
DaVinci Resolve DI suites.
Quantel launched LiveTouch sports highlighting system at IBC2014,
integrating editing with highlights. sQ Fileflow 2 file handling engine
launched and Pablo Rio has UHD/4K updates.
Digital artist Marty Pepper talks about the evolution of Autodesk’s Flame,
and the changing nature of his work as a post production artist and colourist
at KOJO post facility in Adelaide.