NAB MTI Film showed the new CORTEX CarryOn, portable, all-in-one, on-set
dailies processing system, with full metadata capture, at NAB after beta testing
it on US TV series ‘Longmire’.
Leviathan design company in Chicago recently produced two contrasting
titles sequences, one entirely live action shot with microphotography, the
other in two-colour motion graphics.
Indie film ‘Computer Chess’ was shot on a 1970s tube camera,
converting analogue to SD with an AJA D5D Mini-Converter and
recording the SD feed in Apple ProRes HQ with a Ki Pro Mini.
BulletProof is a footage prep and delivery package to help filmmakers bridge
the gap between camera and editor with backup, organization, colour and
Proof Visualization Services will soon open a production facility in Sydney,
extending its previs, virtual production and postvis services from the US,
Canada and the UK to Australia.
Distributor MarVista Entertainment now uses Aframe to expedite
review and approval of digital dailies for nationally aired features
as part of its broadcast workflow.
DIT services team Trade Digital Cinema combined their mobile dailies system
with SCRATCH Lab to organise and monitor footage for the upcoming
independent movie ‘Split’.
Jeff started on set for ‘The Bling Ring’ in his usual DIT role, creating
dailies with SCRATCH Lab. But he quickly extended his skills to the
full SCRATCH to handle the DI and grade as well.
Hungarian FilmLab is now using CORTEX::Dailies, which processes
data from Sony, ARRI, Canon and RED digital cinema cameras, to
produce digital dailies for clients in production.
Egyptian-American filmmaker Sherif returns to his native Cairo with a
Nikon D7000 a year after the Egyptian Revolution began, to record
how Egyptians see their way forward.
Screen Australia has provided $2.6 million to 21 independent Australian
game developers, and will launch a program in 2013 to support
development of internationally-driven TV drama.
The Screen Producers Association of Australia addressed a conference
in Canberra on the importance of screen businesses campaigning for
future commercial opportunities.
Colourist Adam Glasman at Company 3 colour graded F1 racing action
film ‘Rush’ to smoothly blend 16mm and 35mm archive films with modern
Production studio Digital Pulse in Sydney has appointed Tracey Taylor
as Executive Producer and Fabio Nardo as its new Creative Director.
IBC 2013 Ncam is demonstrating real-time visualisation of immersive 3D CG
graphics content in-camera while shooting to support various
Digital Producer Christine Cattano has joined Framestore at their
New York office to work as production lead for all of the company’s
digital and integrated projects.
Bad Robot post studio has now based its production services division Kelvin
Optical on SGO Mistika DI and stereo 3D systems, helping them control all
post functions within their facility.
Marquise MIST Mobile for on set dailies will ship with the most
recent NVIDIA single-slot GPU, the Quadro K4000, from 1 June
to help balance GPU size with performance.