MTI Film’s CORTEX v 2.0 dailies processing system now detects dead
pixels on set and corrects them in post, handles basic editing tasks and
supports new UHD/4K delivery formats.
ZSPACE in Sydney has developed a point-of-sale AR application
for Ferrari dealers and customers into the showroom for a chance
to interact with the cars and customise a model of their own.
NAB Cinedeck focussed on workflow options for 4K, UHDTV-1, HD and
SD demonstrating new editorial and video-processing for cinema, live,
mobile and traditional broadcast workflows.
The Red Giant Shooter Suite now supports RED camera media, allowing
users to sync multi-camera and dual-system audio production media shot
on RED cameras in a few seconds.
NAB Shotgun 6 production tracking and RV 6 image player now work
together without user configuration. Also, Shotgun now comes bundled
with cineSync Pro.
Leviathan design company helped create a new interactive exhibit at
Chicago’s Museum of Science and Industry that explains and explores
mathematical patterns from the natural world.
WSI’s Max Reality is an AR package that visualizes weather and
traffic data as 3D images, creating an experience that cannot be
matched on mobile devices.
V3 of the ftrack cloud-based project management platform adds tools
supporting dispersed teams and a new API that extends ftrack for better
workflows and more performance.
ShotPro is an application made for directors, DPs, producers and other
production team members who need to plan productions, communicate
ideas and work together on set.
zLense is a camera-mounted sensor that captures 3D data in sync with
the RGB output of the camera and combines the data stream into
accurate camera tracking and 3D scene information.
Codex has supplied digital recording for the Alexa XT cameras on the
series ‘Marvel’s Agent Carter’, and consulted with the VFX supervisors
on lens mapping to assist effects production.
Brazil’s O2 Filmes handle production and post for TV Globo’s series ‘Lili, a Ex’
with Blackmagic’s Pocket Cinema Camera, using Resolve for dailies, on-set
colour correction, conform and grading.
At the HPA 2015 Tech Retreat, Colorfront demonstrates new functionality
developed for its on-set dailies and transcoding systems for high frame
rate UHDTV production and post.
A new survival-action film ‘Turkey Shoot’ was shot on the Sony F55 4K
camera by DP Warwick Field, capturing RAW images to create a range of
looks in post and support the extensive VFX.
Two new nodes in PFtrack 2015 can generate point clouds, meshes
and geometry for accurate 3D polygonal models, and the Photomesh
node contains a new set of photogrammetry tools.
The Fraunhofer Digital Cinema Alliance has developed a new light-field
software plug-in for Avid Media Composer, viewer customizable surround
audio and IMF support in easyDCP 3.0.
VETUS is an upcoming multi-platform fantasy web series, now in production.
DP Ben Shepherd shot the trailer on the Sony F5, revealing the mysterious
worlds the story inhabits.
Tiger Aspect Productions uses Aframe's cloud platform on the TV series,
‘Peaky Blinders’ to assist assembly, review and distribution of digital
dailies to a dispersed team of contributors.