‘Disconnect’, shot on the RED EPIC, received a full DI and post-
production at Technicolor – PostWorks with grade by Colourist
Tim Stipan, and invisible VFX by LOOK Effects.
NAIT Polytechic in Canada includes SGO's Mistika as part of its
Digital Media and IT curriculum to bring students up to date on
digital content creation in stereo 3D and 2D.
Shotgun v5.0 now includes a new UI and toolset specifically for
artists and supervisors, and adds tools for task tracking, review
and approval, collaboration and search.
When setting up a new Beijing facility in 2012, Hong Kong post house
Digit Digit again chose DVS storage systems to store, connect and
manage compositing and VFX content.
DI/DIT company Pretty Moving Pictures used SCRATCH Lab to ensure
looks the DP created on ‘Dead Man Down’ and the graded dailies matched
the looks expected in the final DI.
The 19th HPA Tech Retreat focuses on the impact of higher resolution, higher
frame rates, larger colour space and higher dynamic range in feature film and
broadcast production and post.
NAB New DaVinci Resolve 10 allows integration of post workflows,
new on-set tools, upgraded editing and colour correction and
OpenFX plug in support.
Venture 3D stereo conversion company in LA, is using Media Shuttle to help
collaborate with partners in Hong Kong, Beijing, Seoul and Korea on an
NAB Mistika Air launches at the Show as a real-time system
for HD, Ultra HD, 4K and 8K broadcast with multiple codecs.
Mistika 7.5 colour grading is now also ACES compliant.
FotoKem and SPY, one of the FotoKem companies, put their post production
and grading skills to work for Sundance festival’s winner, ‘Fruitvale’ directed
by Ryan Coogler.
NAB The new entry-level DVS VENICE Element for live studio
operation and playout is launching at NAB 2013, with updates
to CLIPSTER DI workstations with AS-02 and IMF support.
For the recent film ‘EI Presidente’, WeLovePost in Manila used Blackmagic
Design Resolve for media management from generating offline dailies to
grading to DCP output.
Deluxe Entertainment has entered a strategic alliance with Thailand’s
GoldenDuck Group to provide Digital Cinema services for US and South
East Asian producers and distributors.
The official trailer for Tropfest short film festival gained some sparkle
this year with a lively mix of 2D and 3D effects and a colour grade from
Cutting Edge in Sydney.
Prana Studios in Mumbai has chosen PipelineFX Qube! to manage its
2,000 node render farm, due to its scalability and compatibility across
Windows, Mac OSX and Linux–based systems.
New updates made to emotion 3D Stereoscopic Suite X3 help with colour
matching and artefacts resulting from changing depth or from excessive
motion in shots.
Quantel’s Pablo Rio V2 software increases performance, interactivity
and compatibility in Pablo Rio systems, and their new SynthIA package
handles stereo 3D manipulation in post.
Cloudburst Films digital services company is located in Kuala Lumpur specializing
in on-set colour grading and data management for films, broadcast and