‘Disconnect’ Connects on Top Level Post and Effects

Published on Wednesday, 15 May 2013

‘Disconnect’, shot on the RED EPIC, received a full DI and post-
production at Technicolor – PostWorks with grade by Colourist
Tim Stipan, and invisible VFX by LOOK Effects.

Canada’s NAIT Invests in SGO Mistika for Stereo & DI Futures

Published on Wednesday, 15 May 2013

NAIT Polytechic in Canada includes SGO's Mistika as part of its SGO- Mistika-NAIT1
Digital Media and IT curriculum to bring students up to date on
digital content creation in stereo 3D and 2D.

Shotgun 5.0 Tracks Tasks Over Project Review & Approval

Published on Tuesday, 14 May 2013

Shotgun v5.0 now includes a new UI and toolset specifically for Shotgun_5_0_my_tasks
artists and supervisors, and adds tools for task tracking, review
and approval, collaboration and search.

DVS SpycerBox Connects and Moves Content at Digit Digit

Published on Wednesday, 20 February 2013

When setting up a new Beijing facility in 2012, Hong Kong post house DVS-spycer-digit-digit
Digit Digit again chose DVS storage systems to store, connect and
manage compositing and VFX content.

SCRATCH Lab Sets the Stage for Dead Man Down

Published on Thursday, 09 May 2013

DI/DIT company Pretty Moving Pictures used SCRATCH Lab to ensure SCRATCH-Lab-dead-man-down-6
looks the DP created on ‘Dead Man Down’ and the graded dailies matched
the looks expected in the final DI.

The HPA Tech Retreat Prepares for the Future of Post

Published on Wednesday, 13 February 2013

The 19th HPA Tech Retreat focuses on the impact of higher resolution, higher HPA-retreat2
frame rates, larger colour space and higher dynamic range in feature film and
broadcast production and post.

Blackmagic Resolve 10 Upgrades On-Set & Editing Tools

Published on Tuesday, 09 April 2013

NAB New DaVinci Resolve 10 allows integration of post workflows,
new on-set tools, upgraded editing and colour correction and
OpenFX plug in support.

Venture 3D Accelerates Stereo Files with Signiant Media Shuttle

Published on Wednesday, 13 February 2013

Venture 3D stereo conversion company in LA, is using Media Shuttle to help Signiant user V3DImage 02-05-13
collaborate with partners in Hong Kong, Beijing, Seoul and Korea on an
upcoming movie.

SGO Mistika Air Launches for Broadcast DI & Post

Published on Sunday, 07 April 2013

NAB Mistika Air launches at the Show as a real-time system SGO-mistika2
for HD, Ultra HD, 4K and 8K broadcast with multiple codecs.
Mistika 7.5 colour grading is now also ACES compliant.

FotoKem & SPY Handle Post for Sundance Winner ‘Fruitvale’

Published on Wednesday, 06 February 2013

FotoKem and SPY, one of the FotoKem companies, put their post production Fotokem-spy-fruitvale
and grading skills to work for Sundance festival’s winner, ‘Fruitvale’ directed
by Ryan Coogler.

DVS Updates CLIPSTER, VENICE & SPYCER for DCI

Published on Saturday, 06 April 2013

NAB The new entry-level DVS VENICE Element for live studio DVS_CLIPSTER-screen
operation and playout is launching at NAB 2013, with updates
to CLIPSTER DI workstations with AS-02 and IMF support.

WeLovePost & DaVinci Resolve Handle Media & Grade on ‘El Presidente’

Published on Tuesday, 29 January 2013

For the recent film ‘EI Presidente’, WeLovePost in Manila used Blackmagic Blackmagic-el-presidente12_GRADED
Design Resolve for media management from generating offline dailies to
grading to DCP output.

Deluxe & GoldenDuck Form Digital Cinema Alliance

Published on Saturday, 09 March 2013

Deluxe Entertainment has entered a strategic alliance with Thailand’s Deluxe-golden-duck
GoldenDuck Group to provide Digital Cinema services for US and South
East Asian producers and distributors.

Tropfest 2013 Trailer Pops with FX & Animation from Cutting Edge

Published on Tuesday, 29 January 2013

The official trailer for Tropfest short film festival gained some sparkle Tropfest3
this year with a lively mix of 2D and 3D effects and a colour grade from
Cutting Edge in Sydney.

Prana Studios Puts PipelineFX Qube! on the Render Farm

Published on Wednesday, 27 February 2013

Prana Studios in Mumbai has chosen PipelineFX Qube! to manage its PipelineFX-Prana1
2,000 node render farm, due to its scalability and compatibility across
Windows, Mac OSX and Linux–based systems.

emotion3D SSX3 Updates Stereo Image Disparity Plugins

Published on Wednesday, 16 January 2013

New updates made to emotion 3D Stereoscopic Suite X3 help with colour Emotion3D-ssx3-2
matching and artefacts resulting from changing depth or from excessive
motion in shots.

Quantel Pablo Rio V2 & SynthIA Enhance Colour and Stereo in Post

Published on Tuesday, 26 February 2013

Quantel’s Pablo Rio V2 software increases performance, interactivity Quantel-pablo_c4-23
and compatibility in Pablo Rio systems, and their new SynthIA package
handles stereo 3D manipulation in post.

Cloudburst Films Takes Grading and Advanced Dailies On Set

Published on Wednesday, 02 January 2013

Cloudburst Films digital services company is located in Kuala Lumpur specializing Assimilate-Scratch-Cloudburst-5
in on-set colour grading and data management for films, broadcast and
commercials.